Roni Horn
Works
Silkscreen on paper
124,5 × 157,5 cm
Silkscreen on paper
129,5 × 160 cm
Graphite and watercolor on Arches watercolor paper
55,5 × 55,9 cm; 63 × 62,5 × 4 cm framed
Graphite and watercolor on Arches watercolor paper
55,5 × 55,9 cm; 63 × 62,5 × 4 cm framed
Two pigment prints on rag paper. Bleed images, floated edge-to-edge in frame
34,8 × 53,8 cm; 40 × 59,3 × 3 cm framed
Two pigment prints on rag paper. Bleed images, floated edge-to-edge in frame
34,8 × 53,8 cm; 40 × 59,3 × 3 cm framed
Gouache, and/or watercolor on Arches paper
38,1 × 28,8 cm; 41,9 × 32,4 cm framed (each)
Gouache, and/or watercolor on Arches paper
38,1 × 27,9 cm; 41,9 × 32,4 cm framed (each)
Installation view, Fondation Beyeler, 2016
15 photographs and text on paper
77,5 × 104,5 cm; 83,5 × 111,5 × 4,5 cm framed each
offset litographs on paper, image O
offset litographs on paper, image O
Installation view, Louisiana Museum
Installation view, Castello di Rivoli, Torino, 2000
Installation view, Overture 2024, Castello di Rivoli, Torino, 2024
12 pigmented photographs, 6 two-sided units, 6 aluminum stanchions
42 × 56 cm
Installation view, Hafnarhús, 2007
Pigment prints
55,8 × 55,8 cm; 62 × 62 × 4 cm framed each
Ink jet on 100% rag paper
57,15 × 57,15 cm each
12 framed c-prints
31,75 × 26,03 cm; 33,2 × 27,8 × 2,5 cm framed each
Installation view, 2024, Museum Ludwig, Colonia
Installation view, Centro Botín, Santander, 2023
Installation view, Museum Ludwig, Colonia, 2024
Digital-to-negative print on Fujiflex
74,93 × 49,53 cm
Digital-to-negative print on Fujiflex
74,93 × 49,53 cm
Installation view, Water Teller, Galleria Raffaella Cortese, via a. stradella 4, Milano, 2015
Watercolor, pen and ink, gum arabic on watercolor paper
55,88 x 39,37 cm
Watercolor, gouache, pen and ink, gum arabic on watercolor paper
55,88 x 38,1 cm
Installation View ‘Luogo e Segni’ at Punta della Dogana, 2019 © Palazzo Grassi
Solid aluminum and cast white plastic
108,58 × 5,08 × 5,08 cm
Installation view, 2022, Bourse de Commerce - Pinault Collection, Paris
Installation view, 2022, Bourse de Commerce - Pinault Collection, Paris
Solid aluminum and cast black plastic
128,27 × 5,08 × 5,08 cm
aluminium and plastic
89,2 × 5 × 5 cm
White plastic and aluminum with sanded finish
3,81 × 396,24 × 11,43 cm
Solid cast blue glass
28 × 84 × 84 cm each of 2 blocks
Installation view, Centro Pecci, Prato
Installation view, 2023, Centro Botín, Santander
Solid machined aluminum and plastic
24 × 68,58 × 68,58 cm
Installation view, 2024, Museum Ludwig, Colonia
Silkscreen on Sanuders hot press W/C 410 gr
129,5 x 129,5 cm
Yellow-green pigments on paper with varnish
50,8 × 66,04 cm
Green pigment and varnish on paper
105,3 × 125,7 cm
Installation view, Lambert Collection in Avignon, 2009
2 c-print
37 × 56 cm; 56,4 × 74,2 × 3 cm framed
Biography
Roni Horn was born in 1955 New York. She lives and works in New York City.
She works with Galleria Raffaella Cortese since 1997.
Horn’s artistic production, which spans for about fifty years now, explores the changing nature of art through sculpture, works on paper, photography and books. Roni’s drawings focus on the materiality of the objects depicted, using also the written word at the basis of his drawings and other works. Horn creates complex relationships between the observer and his works, for example by placing a single piece on opposite walls, in communicating rooms or across a series of different spaces and buildings. Horn subverts the notion of “identical experience” by insisting that self-perception is determined by place in the “here-and-there” and by a time in the “now-and-then”. Her works also combine the critical relationship between mankind and nature; a relationship similar to a mirror, in which we try to shape nature according to our image. Over the past fourty years, Roni Horn’s work has been intimately linked to particular photographs, the geology, climate and culture of Iceland.
Roni Horn has had solo exhibitions in the following museums: Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum Ludwig, Cologne, Germany (2024), Centro Botin, Santander (2023); Pola Museum of Art, Hakone, Japan (2021); Château La Coste, Aix-en-Provence, France (2021); The Drawing Institute at the Menil Collection (2019); Nasher Sculpture Center, Dallas (2017); Glenstone, Potomac, United States (2017); Fondation Beyeler, Riehen / Basel, Switzerland (2016); Fundacio Joan Miro, Barcelona (2014); FLAG Art Foundation, New York (2011); Center of Contemporary Art Ujazdowski Castle, Warsaw (2010); Whitney Museum of American Art, New York (2009); Rencontres d’Arles festival, Arles, France (2009); Tate Modern, London (2009); Tate Modern, London and Collection Lambert, Avignon (2008); Museion, Bolzano (2005), Art Institute of Chicago, Chicago (2004); Center Georges Pompidou, Paris (2003); Dia Center for the Arts, New York, and Museu Serralves, Porto (2001); Whitney Museum of American Art, New York; Kunsthalle Basel, Basel (1995). Group shows include: Whitney Biennial (1991, 2004); Documenta (1992); and the Venice Biennale (1997), among many others.
In 2004 she was a guest of Columbia University. In November 2009, the Whitney Museum of American Art inaugurated a survey exhibition on Horn’s work, entitled Roni Horn aka Roni Horn; the exhibition has traveled to the Institute of Contemporary Art in Boston (2010), the Tate Modern, London (2009), and the Collection Lambertad Avignon (2009).
Gallery Exhibitions
Public exhibitions
Press
Publications
