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MONOGRAPHS & EXHIBITION REVIEWS

2019
Noor, Tausif: ‘Hand In Glove’, Artforum, 12/04/2019
I'm Open to Anything, Los Angeles: We Heard You Like Books, 2019.
‘William E. Jones on Olympia Press,’ WexArts.org, April 8, 2019.

2018
Lavoir, Vincent, “William E. Jones, Tearoom. The Trial of the Incriminating Image,” CielVariable.ca, 2018.
Warner, Marigold, “Photo London: Killed Negatives at the Whitechapel Gallery,” BJP-Online.com, May 15, 2018.
“Artists revisit Diego’s Detroit Industry murals,” Phaidon.com, March 16, 2018.
Clary, Christopher, “Men are Dicks,” q-safe-q.tumblr.com, January 26, 2018.
Beifuss, John, “Crosstown Arts programs ambitious series, plus Indie Memphis news,” CommercialAppeal.com, January 17, 2018.
“London Short Film Festival with strong LGBTQ strand this year,” MySoCalledGayLife.co.uk, January 10, 2018.
Young, Neil, “Unseen Pleasures: My 20 Most Unmissable New Films of 2018,” Mubi.com, January 8, 2018.
Isacc, Tim, “The London Short Film Festival,” BigGayPictureShow.com, January 1, 2018

2017
Steininger, Florian and Verena Gamper, “William E. Jones,” Remastered – The Art of Appropriation, 2017, pp. 94-95.
“London Short Film Fest Announces 15th Anniversary Programme,” Voice-Online.co.uk, 2017.
El Kholti, Hedi, “Bad and Good Times in LA,” frieze.com, December 31, 2017.
Campbell, Andy, “William E. Jones,” Artforum, October 2017, pp. 256-257.
Diehl, Travis, “Wililam E. Jones,” Frieze, Review, October 2017, p. 233.
Goyanes, Rob, “I Won’t Fear My Passions Like a Coward: On William E. Jones’s ‘Fall into Ruin’,” LAReviewofBooks.org, September 22, 2017.
Garnett, Mariah, “One More Long Take,” X-TRA, Summer 2017, pp. 65-78.
Berardini, Andrew, “WEEPING, DREAMING, FUCKING, LAUGHING.,” Mousse, #59, Summer 2017, pp. 248-249.
Jones, William E., “The Lost Glamour of Historic Art Collector Alexander Iolas,” Document Journal, Issue No. 10, Spring/Summer 2017.
“William E. Jones at David Kordansky,” ContemporaryArtDaily.com, August 22, 2017.
Zellen, Jody, “William E. Jones at David Kordansky Gallery,” ArtandCakeLA.com, August 22, 2017.
Sweet, Matthew, “Villa Iolas, 1982,” Newsweek, August 11, 2017, p. 48.
Baboulias, Yiannis, “The Man Who Discovered Warhol,” frieze.com, August 9, 2017.
“William E. Jones and Anthony Pearson at David Kordansky Gallery, Los Angeles,” MousseMagazine.it, July 31, 2017.
“FRONT International: Cleveland Triennial for Contemporary Art,” e-flux.com, July 21, 2017.
Rothacker, Jordan A., “William E. Jones: Urgency and Impermanence,” GuernicaMag.com, July 19, 2017.
“William E. Jones,” DailyArtFair.com, July 18, 2017.
Walsh, Brienne, “Fall Into Ruin: Legendary Gallerist Alexander Iolas Is Memorialized In A Film By William E. Jones,” Forbes.com, July 14, 2017.
Webber, Jordan Erica, “The Tearoom: the gay cruising game challenging industry norms,” TheGuardian.com, July 11, 2017.
“30 Hand Picked Films. A New One Every Day,” Mubi.com, See What’s Playing, July 10, 2017.
McCarthy, Caty, “Robert Yang’s New Game Asks: Can You Suck A Man’s Gun on Twitch,” USGamer.net July 6, 2017.
“Classical Connection: William E. Jones Remembers Alexander Iolas,” Modern Painters, June 2017, p. 20.
Brass, Perry, “Perry Brass: The Manly Pursuit of Desire—What Holds Us Together? ‘The Work of Love, the Queer of Labor,’ and ‘AIDS at Home’”, HuffingtonPost.com, May 30, 2017.
Mansfield, Susan, “Art reviews: The Sky is Falling | William E. Jones | Scott Myles,” ScotsMan.com, April 18, 2017.
Doyle, Lallie, “Fall Into Ruin: William E. Jones at The Modern Institute,” TwinFactory.co.uk, March 24, 2017.
“Those Fragments Made Me Fall Asleep: William E. Jones’ ‘Fall Into Ruin’,” MinusPlato.com, March 17, 2017.
“Compassionate Protocols,” The New Yorker, Goings on About Town, Art, Galleries—Downtown, February 6, 2017, p. 9.

2016
Archivi Impossibili: un’ossessione dell’arte contemporanea, text by Cristina Baldacci, Italy: Johan & Levi, 2016.
Fassi, Luigi, “Sexuality as a Utopian Promise,” Mousse, Issue #56, December 2016/January 2017, pp. 107-111.
Jones, William E., “2016: The Year According to William E. Jones,” Blogs.WalkerArt.org, December 22, 2016.
Lewis, Stacey, “William E. Jones,” CityLightsPodcast.com, December 9, 2016.
Holleran, Andrew, “Lewd,” The Gay & Lesbian Review, November-December 2016, pp. 10-13.
Anderson, Melissa, “Tearoom,” VillageVoice.com, October 11, 2016.
“FotoFocus Biennial Returns this October,” BlouinArtInfo.com, Visual Arts, Fairs, September 23, 2016.
Macaulay, Scott, “Five Questions about Essay Films and Digital Distribution for ‘The Royal Road’ Director Jenni Olson,” FilmMakerMagazine.com, September 6, 2016.
“FotoFocus announces opening week program for the FotoFocus Biennial 2016,” ArtDaily.com, August 24, 2016.
“The Long Take: Mariah Garnett and William E. Jones,” Terremoto.mx, Blog, August 20, 2016.
Larson, Charles R., “Review: William E. Jones’s ‘True Homosexual Experiences’,” CounterPunch.org, July 15, 2016.
Rice, Beau, and Jarrett Kobek, “interview with we heard you like books,” interview 3ammagazine.com, July 12, 2016.
Linkof, Ryan, “Boyd McDonald: True Homosexual Experiences,” DocumentJournal.com, May 31, 2016.
Berman, Tosh, “‘True Homosexual Experiences: Boyd McDonald and Straight to Hell’ by William E. Jones,” TamTamBooks-Tosh.Blogspot.com, May 26, 2016.
Gross, Anisse, “L.A.-Based Indie Press Scores with First Title,” PublishersWeekly.com, May 20, 2016.
Sheehy, Erin, “Straight to Hell: On Boyd McDonald,” n+1, Issue 25, Spring 2016.
“Excerpt From True Homosexual Experiences”, SpurlEditions.com, April 22, 2016.
King, Anna, “Rediscovering Gay Pornographer and Proto-Blogger Boyd McDonald,” Slate.com, April 6, 2016.
Jeffereis, Misa, “William E. Jones,” Ordinary Pictures, Walker Art Center, Minneapolis, 2016, pp. 116-119.
“Flaming Features: Douglas Crimp talks with Thomas Beard,” Artforum, April 2016, p. 102.
Horrigan, Bill, “An Experiment in Biography,” Wexarts.org, March 21, 2016.
“True Homosexual Experiences: Boyd McDonald and ‘Straight to Hell'”, PublishersWeekly.com, February 29, 2016.

2015
Arles 2015: Les Recontres De La Photography, Arles: Recontres d’Arles – Actes Sud, 2015.
Bacqué, Bertrand, Jeux sérieux: Cinéma et art contemporains transforment l’essai, Genève: Mamco, 2015, p. 225-227.
Rubell Family Collection: Highlights & Artists Writings, Volume 1, Miami: Rubell Family Collection, 2015, p. 584.
Anderson, Melissa, “Cruise Control: The raunchy, brainy film writings of Boyd McDonald,” Bookforum, December 2015/January 2016, p. 43.
Lee, Nathan. “In Brief: Cruising the Movies,” Film Comment, November-December, 2015, p. 79.
Callahan, Dan, “Boyd McDonald’s Cruising the Movies: Sexual Guide to Oldies on TV,” Out.com, December 2, 2015.
Wu, Yue, “Exhibition aims to show the meaning of curating,” TheLantern.com, November 3, 2015.
Levine, Matthew, “Psychic Driving: William E. Jones,” Found Footage Magazine, Issue #1, October 2015, p. 93.
Rudick, Nicole, “Staff Picks: Cairo, Cruising, Chrissie, Kmart,” TheParisReview.org, October 9, 2015.
Vishnevetsky, Ignatiy, “‘High-Rise’ makes for an unlikely highlight at Toronto,” AVClub.com, September 15, 2015.
Beard, Thomas, “Gary Cooper’s Lipstick/On Boyd McDonald’s “Cruising the Movies: A sexual Guide to ‘Oldies’ on TV,” Texte zur Kunst, August 2015, p. 179-182.
Lecklider, Aaron S., “Sexing the Semiotext(e) Whitney Box Set,” English Language Notes, 53:2, Spring 2015, p. 154-155.
Jackman, Michael, “Looking back on ‘The Battle of the Overpass’ — 78 years later,” MetroTimes.com, May 26, 2015.
Jonze, Tim, “Heaven Knows I’m Mexican Now: Morrisey’s Latino connection goes live,” TheGuardian.com, April 23, 2015.
“William E. Jones sabotage: Psychic Driving alla Galleria Raffaella Cortese di Milano,” Camira.org, April 15, 2015.
Isabella, Tommaso, “Psychic Driving. William E. Jones,” Doppiozero.com, April 1, 2015.
Tagliafierro, Marco, “William E. Jones, Galleria Raffaella Cortese,” Artforum.com, March 13, 2015.
Piejko, Jennifer, “Reviews, ‘Rear Window Treatment’, Louis B. James,” Modern Painters, March 2015, p. 74.
Civin, Marcus, “In __ We Trust: Art and Money,” Artforum.com, January 2015.
MacKay, Emily, “Manic Street Preachers’ new film No Manifesto signals a growing trend in fan documentaries,” Independent.co.uk, January 30, 2015.
Hamilton, Olivia, “Film explores social depictions of labor on money,” TheLantern.com, January 29, 2015.

2014
Arsanios, Mirene, Felipe Zúñiga-González, Mathias Kryger, and Omar Mismar, Queer Geographies, 2014, p. 34-43.
Viennale – Vienna International Film Festival. (Vienna: Verkaufspreis, 2014), p. 209.
In __ We Trust: Art and Money, edited by Tyler Cann, texts by Nannette V. Maciejunes and Tyler Cann, Columbus: Columbus Museum of Art, 2014, cover, pp. 16-17.
Doupas, Vassilios, Entropy, text by David Gleeson, Istanbul: Galeri Zilberman, 2014.
Baron, Jaimie, The Archive Effect: Found Footage and the Audiovisual Experience of History, London: Routledge, 2014, pp. 11-12, 31-36, 43-45.
Schmidt, Oskar, “’The American Series’ in the Context of the Artist’s Oeuvre,” The American Series, 2014, pp. 86, 88, 90.
Golum, Caroline, “Here’s to the Underground!” TheLMagazine.com, December 3, 2014.
Kwinter, Sanford, “Whiplash,” Log, Fall 2014, pp. 90-92.
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014, p. 124-128.
Picano, Felice, “Halstead Plays Himself – William E. Jones (Semiotext(e)/MIT Press),” OutInPrintBlog.wordpress.com, September 1, 2014.
“Notebook on Cities and Culture S4E50: Something Like a Bohemia with William E. Jones,” Bog.ColinMarshall.org, August 8, 2014.
“Flesh and the Cosmos,” Citizen-K.com, July 22, 2014.
“11 Great Places To Get Your Queer Art Fix In Los Angeles,” Queerty.com, July 19, 2014.
Kee, Joan, “Towards Law as an Artistic Medium: William E. Jones’s Tearoom,” Law, Culture and the Humanities, Vol 12, Issue 3, May 27, 2014, pp. 693-715.
Frew, Wendy, “When criminal evidence goes viral,” SMH.com, May 15, 2014.
“#ArtBaselHK14: Hong Kong Sex Tours via Para Site,” Wanderlister.com, May 13, 2014.
Knott, Kylie, “Exhibition: focus on sex in Hong Kong,”SCMP.com, May 6, 2014.
Harren, Natilee, “Reviews: William E. Jones, David Kordansky Gallery,”Artforum, April 2014, pp. 267-268.
Willick, Damon, “Vern Blosum’s Fifteen Minutes,” X-TRA, Spring 2014, Volume 16, Number 3.
Diehl, Travis, “Hear You Roehr,” Artforum.com, January 26, 2014.
“William E. Jones, ‘Heraclitus Fragment 124, Automatically Illustrated’ at David Kordansky Gallery, Los Angeles,” MousseMagazine.it, January 28, 2014.
Arias, Catherine, “The General Secretary is Trapped in a Snow Globe: William E. Jones on Peter Roehr,” Moca.org, January 21, 2014.
“More American Photographs,” University of California Riverside, Podcast, January 12, 2014.
Wagley, Catherine, “5 Artsy Things to Do in L.A. This Week, Including Bank Robberies,” LA Weekly, January 8, 2014.

2013
Humphrey, Daniel, Queer Bergman: Sexuality, Gender, and the European Art Cinema, Austin: University of Texas Press, 2013, pp. 25-28, 57, 180.
“A Prime Number of Books for 2013,” ICPlibrary.com, December 12, 2013.
Harren, Natilee, “Vern Blosum: Assembly and Tomwork,” Artforum, Reviews, December 2013, pp. 271-272.
“TIME Picks the Best Photobooks of 2013: ‘Imitation of Christ’,” TIME.com, Lightbox, November 25, 2013.
“Disorder in the system questioned,” HurriyetDailyNews.com, November 5, 2013.
Knight, Christopher, “Review: Vern Blosum’s paintings at Tomwork take aim at Pop art,” Los Angeles Times, October 11, 2013.
Lampert, Andrew, “Between Artists: Thom Anderson / William E. Jones,” Bomb, Editor’s Choice, Issue 125, Fall 2013, p. 17.
Art for Rollins: The Alfond Collection of Contemporary Art, Volume 1, edited by Abigail Ross Goodman, texts by Barbara Lawrence Alfond, Abigail Ross Goodman, and Ena Heller. (Winter Park, FL: Cornell Fine Arts Museum, Rollins College, 2013).
21st Curtas Vila do Conde International Film Festival. (Portugal: Vila do Conde, 2013).
Schweitzer, Dahlia, “How Does One Make an Image of Revolution?,”Hyperallergic.com, June 25, 2013.
McLean-Ferris, Laura, “William E. Jones,” Art Review, Exhibition Reviews, Issue 69, Summer 2013, pp. 150, 152.
Dietz, Frank, “Screenshots: Die Nachfolge Christi,” ART – Das Kunstmagazin, Das Fotoblog, May 28, 2013.
Wong, Suzie, “Imitation of Christ by William E. Jones,” GetAddictedTo.com, May 22, 2013.
Cairns, Steven, “Interview: William E. Jones,” Frieze.com, May 13, 2013.
“William E. Jones at The Modern Institute,” Contemporary Art Daily, May 13, 2013.
Lesso, Rosie, “Edinburgh & Glasgow Round-up,” Art Monthly, Number 366, May 2013.
Baran, Jessica, “NEW In the Galleries – William E. Jones: Killed Through April 28 at the Saint Louis Art Museum,” RiverfrontTimes.com, April 18, 2013.
Early, Rosalind, “Artist William E. Jones on his Saint Louise Art Museum Exhibit “Killed”,” STLMag.com, April 17, 2013.
Cooper, Neil, “Visual Art: William E. Jones,” The List, April 17, 2013.
“William E. Jones at The Modern Institute, Glasgow,” MousseMagazine.it, April 7, 2013.
Clark, Robert, “Exhibitions: William E. Jones,” Guardian Guide, April 7, 2013.
Scoccimarro, Antonio, “William E. Jones,” Mousse, Diary, Issue 38, April 2013.
Brenez, Nicole, “desistfilm’s Top 50 Films of All Time,” desistfilm.com, March 30, 2013.
Devidal, Grégoire, William E. Jones, Brûlantes Promesses. (Bordeaux: École d’Enseignement, Supérieur d’ Art de Bordeaux, 2013).
Wyatt, Andrew, “William E. Jones: ‘Killed’ at the St. Louis Art Museum,”TemporaryArtReview.com, February 22, 2013.
Isaac, Tim, “Gay Short: The Fall of Communism As Seen in Gay Pornography by William E. Jones (1998),” BigGayPictureShow.com, January 23, 2013.
Lavoie, Vincent, “William E. Jones, Tearoom: Le procès de l’image infamante,”Ciel Variable, Number 93, Winter 2013, pp. 41-46.

2012
after image: the photographic process(ed), edited by James MacDevitt. (Norwalk: Cerritos College Art Gallery, Cerritos College, 2012).
Simon, Vincent, ed., Le Guide du Palais de Tokyo. (Paris: Palais de Tokyo, 2012).
25th New York Queer Experimental Film Festival. (New York: MIX NYC, NY).
Moffatt, Ken, “Rare & Raw,” The Archive: The Journal of the Leslie-Lohman Museum of Gay and Lesbian Art, Number 44, Winter 2012, pp. 20-22.
“after image: the photographic process(ed),” Artweek.LA, November 5, 2012.
Nagesh, Ashitha, “Critics’ Picks: London: William E. Jones,” Artforum.com, October 30, 2012.
Viennale – Vienna International Film Festival. (Vienna: Remaprint, 2012, p. 203).
Kienzi, Michael, “Fred Halsted: Porno Experimental,” Critic.de, October 20, 2012.
Attitude Cinema, Pesaro Film Festival, curated by Camilla Boemio, Chiesa della Maddalena, Pesaro, Italy and Zoe Gallery, Rome, Italy. (Pesaro: MIVA, 2012).
Hebdige, Dick, “‘Is It Really So Strange?’ Verschiedene Aneignungen: Morrissey und der Blues,” POP. Kultur und Kritik, Transcript Verlag, 2012, pp. 116-125.
Day, Meagan, “Hedi el Kholti,” Full-Stop.net, September 20, 2012.
Sicinski, Michael, “TIFF 2012. Wavelengths Preview: Part One – The Shorts,”Notebook, September 7, 2012.
Mæland, Hilde J., editor, Desire. (Bergen: Bergen Art Museum, 2012, p. 34).
Gonzalez, Rita, and Christine Y. Kim, “New Acquisitions for Art Here and Now,”The LACMA Blog, July 31, 2012.
Making History, texts by Herbert Beck, Luminita Sabau, Barbara Basting, Anne-Marie Beckmann, Lilian Engelmann, Peter Gorschlüter, Jule Hillgärtner, Holger Kube Ventura, Alexandra Lechner and Celina Lunsford. (Frankfurt: RAY Fotografieprojekte Frankfurt/RheinMain, 2012), p. 126-129.
Piepenburg, Erik, “In Conversation with Bradford Nordeen, Moments of Gay History On Screen and Underfoot,” The New York Times, July 12, 2012, p. C6.
“Attitude Cinema,” Domus, June 2012.
“Artist In Residence Program 2012: William E. Jones,” Headlands Center for the Arts, April 2, 2012.
Piepenburg, Erik, “Keepers of the Gay Film Legacy,” The New York Times, March 18, 2012, p. AR8.
Beard, Thomas, “Film: The best movies and artists’ films of 2011,” Frieze, Issue 144, January-February 2012, p. 25.
Thomson, Julie, “The ordinary becomes exceptional in The Spectacular of Vernacular at the Ackland,” IndyWeek.com, February 1, 2012.
Jeppesen, Travis, “Book Review: Halsted Plays Himself,” Whitehot Magazine, January 2012.

2011
Hoffmann, Jens, editor, More American Photographs: CCA Wattis Institute for Contemporary Arts. (New York: DAP / Distributed Arts Publishers Inc., 2011), p. 64-65.
Tongson, Karen, Relocations: Queer Suburban Imaginaries, New York: NYU Press, 2011, pp. 117, 120, 126.
Sallabedra, Megan, “Fred Halsted’s Experimental Porn L.A. Plays Itself: Even Dalí Thought It Was Freaky,” LAWeekly.com, December 16, 2011.
Michalska, Julia, “Expert eye: Tobias Ostrander,” The Art Newspaper, Art Basel Miami Beach Daily Edition, December 3-4, 2011, p. 10.
American Exuberance. (Miami: Rubell Family Collection, 2011).
Cernuschi, Stefano, “Books: Halsted Plays Himself,” Mousse, Issue 31, December 2011 – January 2012, p. 126.
Karr, John F., “Forbidden Acts,” KarrnalKnowledge.com, November 16, 2011.
Cheng, DeWitt, “More American Photographs: CCA Wattis Institute for Contemporary Arts,” Artillery, Volume 2, November/December 2011, p. 69.
Nordeen, Bradford, “Halsted Playing Halsted,” ArtinAmerica.com, October 31, 2011.
Tan, Lumi, “Time Again: SculptureCenter, New York,” Frieze, Issue 142, October 2011, p. 250.
Wender, Jessie, “Photographing The Great Recession, Looking Back to The Great Depression,” The New Yorker, October 13, 2011.
Astrova, Aliina, “William E. Jones’s ‘Halsted Plays Himself’,” Kaleidoscope blog, October 9, 2011.
Crow, Thomas, Perchuk, Andrew, Tuchman, Maurice, Subotnick, Ali, Winer, Helene, Baldessari, John, Gamboa Jr., Harry and Larner, Liz, “L.A. Stories: A Roundtable Discussion,” Moderated by Richard Meyer and Michelle Kuo,Artforum, October 2011, 240-249, 339-340.
Hoffmann, Jens and Pedrosa, Adriano, editors, The Companion to the 12th Istanbul Biennial. (Istanbul: Istanbul Foundation for Culture and Arts, 2011).
“Adventures to be Released at NY Art Book Fair,” StandardCulture.com, September 27, 2011.
Biederman, Sam, “Halsted Plays Himself by William E. Jones,” Bookforum.com, September 26, 2011.
Nagesh, Ashitha, “Interview: William E. Jones,” zingmagazine.com, August 2011.
Lerner, Sharon, “Kadiview with William E. Jones,” Kadist Art Foundation – Kadist.org, August 2011. Video.
Aletti, Vince, “Previews: ‘More American Photographs,’ CCA Wattis Institute for Contemporary Arts,” Artforum, September 2011, p. 149.
“Museums and Libraries: SculptureCenter,” The New Yorker, July 25, 2011.
Stonescape: Politics is Personal 2011, exhibition catalogue, July 2011, pp. 42-43.
“‘Time Again’ at SculptureCenter,” Contemporary Art Daily, June 24, 2011.
Meade, Fionn, “Restaging the Past,” Artlog.com, June 17, 2011.
Tavecchia, Elena, “Time Again,” Mousse, Issue 29, Summer 2011, p. 160.
Matalon, Rebecca, “Time Again,” Kaleidoscope, Issue 11, Summer 2011, p. 90.
Schifferle, Hans, “Oberhausen I: Die Widerspenstigen,” epd Film, June 2011, p. 10.
Greg Wilken, Torbjorn Vejvi, Lynton Talbot, Cauleen Smith, SEACA (Southeast Asian Community Alliance), Mark Roeder, Andrea Robbins and Max Becher, D’Ette Nogle, Brian Mann, Dylan Marcus, Tory Lowitz, Fred Lonidier, Amy Laughlin, Lisa Lapinski, William E. Jones, Daniel Ingroff, Katie Herzog, Kevin Hanley, Aaron GM, Erik Frydenborg, Rachel Foullon, Travis Farmen, Tom Ellis, Lucy Dodd, Michele Di Menna, Jesse Benson, Will Benedict, Merwin Belin, Las Cienagas Projects, exhibition catalogue, 2011.
Zellen, Jody, “William E. Jones: David Kordansky Gallery,” Artillery, May/June 2011, pp. 65-66.
Teasdale, Paul, “57th Oberhausen Short Film Festival,” Frieze.com, May 23, 2011.
Pugh, Adam, “Internationale Kurzfilmtage Oberhausen 2011,” LUX.org.uk, May 19, 2011.
Schmitt, Peer, “Der Sport und das Blut,” Junge Welt, Number 112, May 14-15, 2011, p. 12.
Schifferle, Hans, “Cinema Slam,” Süddeutsche Zeitung, May 12, 2011.
Grissemann, Stefan, “Abfallprodukte der Liebe,” Frankfurter Allgemeine Zeitung, May 5, 2011, p. 33.
Kaltschmidt, Naoko, “All Male Mash Up,” Cargo, Number 09, March-May 2011, pp. 50-51.
Beil, Ralf and Ehmann, Antje, editors, Serious Games: War – Media – Art. (Ostfildern: Hatje Cantz Verlag, 2011), pp. 107-109.
Häcker, Sabine, Ingenhoven, Marita and Ruprecht, Susanne, editors, 57th International Short Film Festival Oberhausen 2011. (Oberhausen: Karl Maria Laufen, 2011).
Holte, Michael Ned, “William E. Jones: David Kordansky Gallery,” Artforum, May 2011, p. 295.
Willis, Holly, “Media Arts Preview,” kcet.org, April 7, 2011.
Meade, Fionn, editor, Time Again. (New York: SculptureCenter, 2011).
Friel, Patrick, “Layers of Erasure,” Afterimage, Volume 38, Number 5, March/April 2011, pp. 35-36.
Balzer, David, “Queer Cinema From the Collection: Bronson’s Bests,”CanadianArt.ca, March 10, 2011.
“Looking at Los Angeles: Killed Posterity,” SanArt.com, March 10, 2011.
Ayala, Daniela “William E. Jones en David Kordansky Gallery,”blog.TaxiArtMagazine.com, March 2, 2011.
Mizota, Sharon, “Art Review: William E. Jones at David Kordansky,” Los Angeles Times, February 25, 2011, p. D18.
Nordeen, Bradford, “William E. Jones on Finished,” SlantMagazine.com, February 22, 2011.
Nordeen, Bradford, “Finished Symphony,” Being-Boring.blogspot.com, February 21, 2011.
“William E. Jones,” re-title.com, February 17, 2011.
Johnson, Grant, “Forum 65: Reanimation,” Art Papers, January/February 2011.
Moshayedi, Aram, “500 Words: William E. Jones,” Artforum.com, January 26, 2011.
Burton, Johanna, “The Spectacular of Vernacular,” Artforum, January 2011, p. 97.

2010
Carson, Matthew P., “William E. Jones Interview,” icplibrary.wordpress.com, December 20, 2010.
Ding, Chinnie, “Critic’s Pick: The Image in Question: War – Media – Art,”Artforum.com, December 2010.
Meade, Fionn, “After Images,” Mousse, Issue 26, December 2010/January 2011, pp. 182-189.
Ireland, Corydon, “Visions of War,” HarvardGazette.com, October 26, 2010.
Cotter, Holland, “William E. Jones, ‘Punctured,'” New York Times, October 22, 2010, p. C17.
Haeg, Fritz, “City Report: Los Angeles,” Frieze, Issue 134, October 2010, pp. 224-226.
“William E. Jones,” The New Yorker, October 11, 2010, p. 22.
Banks, Eric. “William E. Jones: Punctured,” The Paris Review, October 4, 2010.
Aletti, Vince. “Photo Books,” Photographmag.com, September/October 2010.
Tobias, Jennifer. “Selections from The Anatomy of Melancholy by Robert Burton,” caareviews.org, July 21, 2010.
O’Driscoll, Bill. “Short List,” Pittsburgh City Paper, July 1, 2010.
Thomas, Mary. “Complex Ideas Flash by in Video Show,” Pittsburgh Post-Gazette, June 30, 2010.
Troeller, Jordan. “Nachleben,” Artforum.com, May 18, 2010.
Möller, Olaf. “Double Trouble: Ethical Lapses in Potsdamer Platz,” Film Comment, May/June 2010, p. 64.
Müller, Dominikus. “William E. Jones,” Artforum, May 2010, pp. 262-263.
Baron, Jaimie, “Translating the Document Across Time and Space: William E. Jones’ ‘Tearoom’,” Spectator: The University of Southern California Journal of Film & Television, Spring 2010, pp. 51-54.
Mania, Astrid. “William E. Jones: Discrepancies,” Art Review, Issue 39, March 2010, p. 126.
Sonnenburg, Gisela. “Kunst-Videos zwischen Heute und Gestern,” Berliner Morgenpost, February 24, 2010, p. 18.
Halter, Ed. “Porn Yesterday,” Artforum.com, February 23, 2010.
Anderson, Melissa. “‘The Films of William E. Jones’ at Anthology,” Village Voice, February 23, 2010.
Ackermann, Tim. “Wie man mit Lyrik und Google große Kunst schafft,” Welt Online, February 21, 2010.
Meixner, Christiane. “New Yorker Experimente,” Tagesspiegel, February 13, 2010, p. 21.
von Döltzschen, Ulrich. “Neu: Veneklasen & Werner,” Die Welt, February 2, 2010.
Comer, Stuart. “Film: The Best Motion Pictures and Moving Images of 2009,”Frieze, issue 128 (January/February 2010) p. 28-29.

2009
Thornton, Sarah, Seven Days in the Art World, New York: W.W. Norton & Company, 2009, pp. 55-56.
Jones, Laura K., “London Dispatch,” artnet.com, December 29, 2009.
Chin, Daryl, “Discussing a Decade: Critics Comment On The 2000s,”indieWIRE, December 28, 2009.
Mandelbaum, Audrey, “An Invocation of Ghosts: William E. Jones’ ‘Killed’,” X-Tra, vol. 12, no. 2 (Winter 2009) pp. 59-63.
Beg Borrow and Steal. (Miami: Rubell Family Collection, 2009).
Cairns, Steven, “Critics’ Picks: William E. Jones,” Artforum.com, December 2009.
Piffer-Damiani, Marion, “William E. Jones: ar/ge kunst, Bozen,” Camera Austria, no. 108, 2009, pp. 78-79.
Holte, Michael Ned, “Best of 2009,” Artforum, December 2009, p.192.
Fassi, Luigi, “William E. Jones: Time and Documentary Effect,” SITE, Issue 28, 2009, pp. 10-13.
Horrigan, Bill, “Killed” (Columbus, Ohio: Wexner Center for the Arts, 2009).
“William E. Jones,” Exibitart.com, October 12, 2009.
Schwärzler, Dietmar, “More Than One Way to Watch a Movie!” Smell It!(Vienna: Kunsthalle Exnergasse, 2009) pp. 74-79.
Birnbaum, Daniel, and Jochen Volz, editors, Making Worlds, vol. 2: Participating Countries, Collateral Events. (Venice: La Biennale di Venezia, 2009).
Williams, Megan, “Lust for life,” CBCNews.com, June 2, 2009.
Foumberg, Jason, “Matthew Brannon, Marcel Broodthaers, James Lee Byars, William E. Jones,” Frieze.com, June 9, 2009.
Coata, Chiara, “The Porn Identity,” Kaleidoscope, March/April 2009, p. 95.
Heinänen, Kaisa, “Neljä suomalaistaiteilijaa mukaan Venetsian biennaaliin,”Helsingin Sanomat, March 18, 2009.
Supanick, Jim, “Last Year at Mansfield: William E. Jones’s Tearoom,” Film International, issue 37, 2009, pp. 12-15.
Fassi, Luigi, “Sexuality as a Utopian Promise,” Mousse, Issue 17, February/March 2009, pp. 52-55.
Eichler, Dominic, “How Will This Affect Me?” Frieze, Issue 120, January/February 2009, pp. 120-127.
Lewis, David, “Section 7: Books,” Artforum.com, January 2009.

2008
Comer, Stuart, “Best of 2008,” Artforum, December 2008, p. 63.
Hainley, Bruce, “This Necrophilic Strategy Entails Some Risk,” Bidoun, Winter 2008, pp. 109-111.
Augusto, Heitor, “Mix Brasil 2008,” CineClick.com, November 2008.
Lange, Christy, “In the Tearoom…Not Really What I Expected,” Frieze.com, October 2008.
LeDuc, Aimee, “Book Reviews: Tearoom,” Camerawork, vol. 35, no. 2, Fall/Winter 2008, p. 42.
Chang, Chris, “In Flagrante Delicto,” Film Comment, July-August, 2008, p. 17.
Smith, Roberta, “Pruesspress@Rental,” New York Times, June 27, 2008, p. B25.
Columbus, Nikki, “Past Imperfect,” Artforum, Summer 2008, pp. 179-180.
Taft, Catherine, “Figures,” Modern Painters, June 2008, p. 94.
Stamets, Bill, “Exploring Work, Play, and Healing,” Chicago Sun-Times, May 16, 2008, p. 2.
Danto, Arthur C., “Unlovable,” The Nation, May 8, 2008, pp. 35-36.
Bowen, Peter, “The Whitney Biennial Two-Year Plan,” Film in Focus, May 5, 2008.
Weist, Nicholas, “From Gulag to Gallery,” Out, May 2008, p. 32.
“William E. Jones: Dissecting Uncle Sam,” The Art Newspaper, March 28-29, 2008, p. 9.
*Whitney Biennial 2008. (New York: Yale University Press, 2008).
Gopnik, Blake, “10 Others to Seek Out at the Whitney Biennial,” Washington Post, March 7, 2008, p. C02.
Cotter, Holland, “Art’s Economic Indicator,” New York Times, March 7, 2008, p. E31.
Gartenfeld, Alex, “All in the Family,” papermag.com, March 4, 2008.
Wagley, Catherine, “Beauty’s Dark Side,” ARTslant.com, March 2, 2008.
Feaster, Felicia, “Tea for Two,” Creative Loafing (Atlanta), February 20-26, 2008, p. 39.
Feaster, Felicia, “William E. Jones: The Secret History,” creativeloafing.com, February 20, 2008.
Lee, Ryan, “Jail Bait,” Southern Voice, February 15, 2008, pp. 23, 36.
Scott, Marcia, “What the Hell Is That?,” Film Arts, January/February 2008, pp. 38-39.
Hainley, Bruce, “This Necrophilic Strategy Entails Some Risk,” Bidoun, Winter 2008, pp. 109-111.
Armstrong, Skot, “Bunkervision,” Artillery, January 2008, p. 45.
Otto, Dean, “Artist of the Year,” City Pages (Twin Cities), January 2, 2008, p. 8.

2007
O’Driscoll, Bill, “Tearoom,” Pittsburgh City Paper, December 12-19, 2007, p.102.
Azoury, Philippe, “Hard contemporain: Festival du porno. Tout l’underground en chaleur à Berlin,” Libération, October 31, 2007.
Shamai, Jason, “Urinal Kinds of Trouble,” San Francisco Bay Guardian, October 24, 2007, pp. 66-67.
*BodyPolitcX. (Rotterdam: Witte de With Center for Contemporary Art, 2007).
Sicinski, Michael, “Original Pirate Material: Twelve Rounds with William E. Jones,” Cinema Scope, Issue 31, Summer 2007, pp. 29-35.
Condon, Emily. “In Good Standing: The Walker’s Queer Takes Series Has Plenty of Substance,” The Onion (Minneapolis) June 21, 2007.
Cotter, Holland, “‘Good Morning, Midnight’ at Casey Kaplan,” New York Times, July 27, 2007.
Pride, Ray. “Films to See Now: v. o.” Newcity (Chicago), February 15, 2007.
Goldberg, Max, “Thursday: Experience ‘Alternative Visions’ at the PFA,”sf360.com, February 15, 2007.
Huston, Johnny Ray, “A Q&A about v. o.: Talking Tearooms, Movies, Morrissey, and Melancholy with Filmmaker William E. Jones,” San Francisco Bay Guardian, February 13, 2007.
Huston, Johnny Ray, “Underground Meets Underground: William E. Jones Uncovers Hidden Stories in Porn’s Dark Edges,” San Francisco Bay Guardian, vol. 41, issue 20, February 12, 2007, p. 57.
Hainley, Bruce, “This Charming Man,” Artforum, January 2007, pp. 67-68, 276.
Comer, Stuart, “Emerging Artists,” Frieze, January-February 2007, p.136.

2006
Abele, Robert, “Screening Room: Repurposing as an Art Form,” Los Angeles Times, December 7, 2006, p. E8.
Willis, Holly, “New Video Work by William E. Jones,” LA Weekly, December 6, 2006, p. 110.
Kushner, Rachel, “On the Ground: Los Angeles,” Artforum, December 2006, p. 255.
Ehrenstein, David, “The U.K. in L.A.” LA Weekly, November 24-30, 2006, p. 35.
Zimmerman, Natalie, “out there where nothing is,” Camerawork, vol. 33, no. 2. Fall/Winter 2006 pp. 8-15.
Ocean, Justin, “Mix ‘n’ Match,” Next Magazine, November 2006, pp. 16-17.
Krasinski, Jennifer, “William E. Jones,” Art US, issue 15, October/November 2006, p. 9.
Mookas, Ioannis, “Bright Cathodes, Big City,” Gay City News, vol. 5, no. 30, July 27 – August 2, 2006, p. 20.
Halter, Ed, “Scanners: The 2006 New York Video Festival,” Village Voice, July 25, 2006, p. 68.
Mookas, Ioannis, “Postcards from the Edge: Unorthodox Queer Milestone Revived at MoMA,” Gay City News, vol. 5, no. 25, June 22-28, 2006.
Anderson, Jason, “Strange Bedfellows,” Eye Weekly (Toronto), May 18, 2006.
Möller, Olaf, “The Maximal Minimalist,” Film Comment, March/April 2006, pp. 19-21.
Mookas, Ioannis, “He’s Got Everything Now,” Gay City News, vol. 5, no. 8, February 23 – March 1, 2006.

2005
Thomas, Kevin, “Screening Room,” Los Angeles Times, November 10, 2005, p. E8.
Nesselson, Lisa, “Is It Really So Strange?,” Variety.com, November 8, 2005.
St. Denis, John, “Is It Really So Strange?,” The Daily Texan (Austin), October 5, 2005.
Snodgrass, Becky. “William E. Jones,” COLA 2005, (Los Angeles: Department of Cultural Affairs, 2005), pp. 28-31.
Reisman, Sara, “Bebe le Strange, New Museum Picks,” newmuseum.org, July 2005.
Cotter, Holland, “Bebe le Strange,” New York Times, July 22, 2005.
Male, Andrew, “Sweet and Tender Hooligans,” Mojo, May 2005, p. 30.
Aitch, Iain, “Mad About Morrissey,” The Guardian, March 25, 2005, p. 7.

2004
Holte, Michael Ned, “William Jones,” artforum.com, March 13, 2004.

2003
Athey, Ron, “Considerable People: William Jones, Charming Man,” LA Weekly, November 28 – December 4, 2003, p. 13.
O’Driscoll, Bill, “Naked Obsession,” Pittsburgh City Paper, April 10, 2003.

2001
Hainley, Bruce, “My Life in Pictures,” Frieze, November-December 2001, pp. 100-105.
Cotter, Holland, “Art in Review,” New York Times, November 23, 2001, p. E35.

2000
Camper, Fred, “Chicago Underground Film Festival: Nasty Girls and Dirty Boys,” Chicago Reader, August 18, 2000, sec. 2, p. 17.
Anderson, Steve, “The Experimental Scene: L.A.’s Media Renegades,” The Independent, vol. 23, no. 3, April 2000, pp. 26-29.
Dowling, Samantha, “Banned and Unseen,” Westside Observer (Perth, Australia), February 4, 2000, pp. 1-3.

1999.
Horton, Andrew James, “Kino Eye: Building a New Europe,” Central Europe Review, no. 35, May 24, 1999.
Faludi, Susan, Stiffed: The Betrayal of the American Man. (New York: William Morrow and Company, New York, 1999), p. 163.

1998
Smith, Kensington, “Alternative Reviews: Finished,” Adult Video News, October 1998, p. 242.
Malcolm, Paul, “Notes from a Video Store Burnout: Finished,” LA Weekly, June 5, 1998, p. 74.
Burston, Paul, “Gay Film-Makers Switch from Boyz to Men,” Time Out London, March 11-18, 1998, p. 102.
Shepard, Joel, “Film Reviews: Finished,” Your Flesh, no. 37, January 1998, p. 83.
Von Mueller, Eddie, “Out Right: Image Hosts ‘Avant Queer’ Fest,” Creative Loafing (Atlanta), January 10, 1998, p. 81.

1997
Nutter, Chris, “Video Corner,” HX Magazine, December 5, 1997, p. 54.
Olson, Jenni, “Arts and Entertainment: New Queer Video on the Shelves,” Oasis Magazine, November 1997.
Thomas, Kevin, “Life, Death in Provocative Finished,” Los Angeles Times, April 10, 1997, p. 16.
Reynaud, Bérénice, “Independence Sundance,” Cahiers du Cinéma, no. 511, March 1997, pp. 10-11.
Hardy, Ernest, “Finished,” LA Weekly, February 14, 1997, p. 72.
Cheshire, Godfrey, “Finished (documentary – 16mm),” Variety, February 10-16, 1997, p. 67.
Willis, Holly, “The Silent Treatment,” Filmmaker, Winter 1997, p. 56.
McHugh, Kathleen, “Irony and Dissembling: Queer Tactics for Experimental Documentary,” Between the Sheets, In the Streets: Queer, Lesbian, Gay Documentary. Edited by Chris Holmlund and Cynthia Fuchs, (Minneapolis: University of Minnesota Press, 1997), pp. 224-240.

1993
Chua, Lawrence, “Unusually Moving Pictures,” Artforum, May 1993, p. 17.
Whitney Biennial 1993. (New York: Harry N. Abrams, 1993).

1992
Ball, Edward, “Candid Cameras,” Village Voice, December 29, 1992, p. 72.
Olson, Jenni, “My Own Private Ohio,” The Advocate, May 5, 1992, pp. 74-75.
Satuloff, Bob, “Amber Waves of Brain,” New York Native, January 27, 1992, p. 36.

1991
Thomas, Kevin, “Special Screenings: Massillon, Growing Up Gay in Ohio,” Los Angeles Times, November 25, 1991.
Sheehan, Henry, “Mind Your Language: Gay and Lesbian Filmmakers Unpack Their Identity,” LA Weekly, July 12, 1991, pp. 43-44.

 

SELECTED PRESS

2017
Baboulias, Yiannis: ‘The Man Who Discovered Warhol’, frieze online, 09/08/2017

2016
Fassi, Luigi: ‘Sexuality as a Utopian Promise’, Mousse, Issue no. 56 12/2016
Holleran, Andrew: ‘Lewd’, The Gay & Lesbian Review, 01/11/2016
‘FotoFocus Biennial Returns this October’, Blouin Artinfo, 23/09/2016
Macaulay, Scott: ‘Five Questions about Essay Films and Digital Distribution for ‘The Royal Road’ Director Jenni Olson’, Filmmaker, 06/09/2016
‘FotoFocus announces opening week program for the FotoFocus Biennial 2016’, artdaily, 24/08/2016
Rice, Beau, and Kobek, Jarrett: ‘interview with we heard you like books’, 3ammagazine.com, 12/07/2016
Linkof, Ryan: ‘Boyd McDonald: True Homosexual Experiences’, Document Journal, 31/05/2016
Berman, Tosh: ‘True Homosexual Experiences: Boyd McDonald and Straight to Hell’ by William E. Jones’, TamTamBooks-Tosh.Blogspot.com, 26/05/2016
Gross, Anisse: ‘L.A.-Based Indie Press Scores with First Title’, PublishersWeekly.com, 20/05/2016
Sheehy, Erin: ‘Straight to Hell: On Boyd McDonald’, n+1, Issue 25, Spring 05/2016
‘Excerpt From True Homosexual Experiences’, SpurlEditions.com, 22/04/2016
King, Anna: ‘Rediscovering Gay Pornographer and Proto-Blogger Boyd McDonald’, Slate.com, 06/04/2016
‘Flaming Features: Douglas Crimp talks with Thomas Beard’, Artforum, 04/2016
Horrigan, Bill: ‘An Experiment in Biography’, Wexarts.org, 21/03/2016
True Homosexual Experiences: Boyd McDonald and ‘Straight to Hell‘, PublishersWeekly.com, 29/02/2016
Jeffereis, Misa: ‘“William E. Jones,” Ordinary Pictures’, Walker Art Center, 2016

2015
Callahan, Dan: ‘Boyd McDonald’s Cruising the Movies: Sexual Guide to Oldies on TV’, Out.com, 02/12/2015
Anderson, Melissa: ‘Cruise Control: The raunchy, brainy film writings of Boyd McDonald’, Bookforum, 12/2015
Jones, William E.: Boyd McDonald‘s Eye for Innuendo, GLReview.org, 02/11/2015
Jones, William E.: ‘The Streets Are My Cinema’, Little Joe, No. 5 11/2015
Rudick, Nicole: ‘Staff Picks: Cairo, Cruising, Chrissie, Kmart’, TheParisReview.org, 09/10/2015
Levine, Matthew: ‘Psychic Driving: William E. Jones’, Found Footage Magazine, Issue No. 1 10/2015
Beard, Thomas: ‘Gary Cooper’s Lipstick/On Boyd McDonald’s “Crusing the Movies: A sexual Guide to ‘Oldies’ on TV’, Texte zur Kunst, No. 99 08/2015
Jackman, Michael: ‘Looking back on ‘The Battle of the Overpass’ — 78 years later’, MetroTimes.com, 26/05/2015
Jonze, Tim: ‘Heaven Knows I’m Mexican Now: Morrisey’s Latino connection goes live’, The Guardian Online, 23/04/2015
MacKay, Emily: ‘Manic Street Preachers’ new film No Manifesto signals a growing trend in fan documentaries’, The Independent Online, 30/01/2015
Hamilton, Olivia: ‘Film explores social depictions of labor on money’, TheLantern.com, 29/01/2015
Civin, Marcus: ‘In __ We Trust: Art and Money’, Artforum Online, 01/2015
‘Arles 2015: Les Rencontres De La Photography’, Arles: Recontres d'Arles - Actes Sud, 2015
Bacqué, Bertrand: ‘Jeux sérieux: Cinéma et art contemporains transforment l’essai’, Mamco, 2015
‘Rubell Family Collection: Highlights & Artists Writings, Volume 1’, Rubell Family Collection, 2015
Lecklider, Aaron S.: ‘Sexing the Semiotext(e) Whitney Box Set’, English Language Notes, Spring/Summer 2015

2014
Jones, William E.: ‘The General Secretary is Trapped in a Snow Globe’, Mousse, 11/2014
Griffin, Jonathan: ‘The New Dealer’, T Magazine, 10/09/2014
Picano, Felice: ‘Halstead Plays Himself - William E. Jones (Semiotext(e)/MIT Press)’, OutInPrintBlog.Wordpress.com, 01/09/2014
‘11 Great Places to Get Your Queer Art Fix In Los Angeles’, Queerty.com, 19/07/2014
Jones, William E.: ‘Space Odyssey’, Artforum Online, 20/05/2014
Frew, Wendy: ‘When criminal evidence goes viral’, smh.com.au, 15/05/2014
Knott, Kylie: ‘Exhibition: focus on sex in Hong Kong’, www.scmp.com, 06/05/2014
Jones, William E.: ‘Vern Blosum: Kunsthalle Bern’, Artforum, 05/2014
Jones, William E.: ‘Vern Blosum, Phantom’, The White Review, No. 10 (Spring 2014) 10/04/2014
Arias, Catherine: ‘The General Secretary is Trapped in a Snow Globe: William E. Jones on Peter Roehr’, Moca.org, 21/01/2014
Wagley, Catherine: ‘5 Artsy Things to Do in L.A. This Week, Including Bank Robberies’, LA Weekly, 08/01/2014
Arsanios, Mirene, Felipe Zúñiga-González, Mathias Kryger, and Omar Mismar: Queer Geographies, 2014
Jones, William E.: ‘But our life depends on what is real’, Semiotext(e), 2014
Doupas, Vassilios: ‘Entropy’, Galeri Zilberman, 2014
Maciejunes, Nannette V. and Tyler Cann: ‘In __ We Trust: Art and Money’, Columbus Museum of Art, 2014
Baron, Jaimie: ‘The Archive Effect: Found Footage and the Audiovisual Experience of History’, 2014
Willick, Damon: ‘Vern Blosum’s Fifteen Minutes’, XTra, Vol. 16, No. 3 2014
‘Viennale - Vienna International Film Festival’, 2014
Kwinter, Sanford: ‘Whiplash’, Log, No. 32 2014

2013
‘A Prime Number of Books for 2013’, ICPlibrary.com, 12/12/2013
‘TIME Picks the Best Photobooks of 2013’, Time, 25/11/2013
‘TIME Picks the Best Photobooks of 2013: ‘Imitation of Christ’’, Time, 25/11/2013
Jones, William E.: ‘William E. Jones on Polysexuality’, Office Notebook, cagrp.org, 22/07/2013
‘William E. Jones at The Modern Institute’, Contemporary Art Daily, 13/05/2013
Cooper, Neil: ‘Visual Art: William E. Jones’, The List, 17/04/2013
Early, Rosalind: ‘Artist William E. Jones on his Saint Louise Art Museum Exhibit “Killed”’, STLMag, 13/04/2013
Scoccimarro, Antonio: ‘William E. Jones’, Mousse, Issue 38 04/2013
Brenez, Nicole: ‘desistfilm’s Top 50 Films of All Time’, desistfilm.com, 30/03/2013
Isaac, Tim: ‘Gay Short: The Fall of Communism as Seen in Gay Pornography by William E. Jones (1998)’, BigGayPictureShow.com, 23/01/2013
Dietz, Frank,: ‘Screenshots: Die Nachfolge Christi’, Art das Kunstmagazin, 05/2013
‘21st Curtas Vila do Conde International Film Festival’, Vila do Conde, 2013
Lawrence Alfond, Barbara, Abigail Ross Goodman, and Ena Heller: ‘Art for Rollins: The Alfond Collection of Contemporary Art’, Cornell Fine Arts Museum, Vol. 1 2013
Lampert, Andrew: ‘Between Artists: Thom Anderson / William E. Jones.’, Bomb Magazine, Issue 125 2013
Jones, William E.: ‘Gilded Age’, Zing Magazine, Issue 23 2013
Humphrey, Daniel: ‘Queer Bergman: Sexuality, Gender, and the European Art Cinema’, 2013
Lavoie, Vincent: ‘William E. Jones, Tearoom: Le procès de l’image infamante’, Ciel Variable, No. 93 2013

2012
Moffatt, Ken: ‘Rare & Raw’, Journal of the Leslie-Lohman Museum of Gay and Lesbian Art, 12/2012
Lavoie, Vincent: William E. Jones, Tearoom: Le procès de l‘image infamante, Ciel Variable, 12/2012
Kienzi, Michael: ‘Fred Halsted: Porno Experimental’, Critic.de, 20/10/2012
Day, Meagan: ‘Hedi el Kholti’, Full-Stop.net, 20/09/2012
Sicinski, Michael: ‘TIFF 2012. Wavelengths Preview: Part One - The Shorts’, Notebook, 07/09/2012
Gonzalez, Rita, and Christine Y. Kim: ‘New Acquisitions for Art Here and Now’, The LACMA Blog, 31/07/2012
Gonzalez, Rita & Kim, Christine: ‘New Acquisitions for Art Here and Now’, The LACMA Blog, 31/07/2012
Piepenburg, Erik: ‘In Conversation with Bradford Nordeen, Moments of Gay History On Screen and Underfoot’, The New York Times, 12/07/2012
Piepenburg, Erik in conversation with Bradford Nordeen: ‘Moments of Gay History On Screen and Underfoot’, New York Times, 12/07/2012
‘Attitude Cinema’, Domus, 06/2012
‘Artist In Residence Program 2012: William E. Jones’, Headlands Center for the Arts, 02/04/2012
Piepenburg, Erik: ‘Keepers of the Gay Film Legacy’, New York Times, 18/03/2012
Beard, Thomas: Film: The best movies and artists’ films of 2011, Frieze, 02/2012
Thomson, Julie: ‘The ordinary becomes exceptional in The Spectacular of Venacular at the Ackland’, IndyWeek.com, 02/2012
Jeppesen, Travis: ‘Book Review: Halsted Plays Himself’, White Hot Magazine, 01/2012
‘25th New York Queer Experimental Film Festival’, MIX NYC, 2012
MacDevitt, James : ‘after image: the photographic process(ed)’, Cerritos College Art Gallery, 2012
‘Attitude Cinema’, Pesaro Film Festival, 2012
Halajian, Shoghig and Suzy M. Halajian, editors: ‘“Puncture Wounds,” in Nothing is forgotten, some things considered’, 2012
Hebdige, Dick: ‘‘Is It Really So Strange?’ Verschiedene Aneignungen: Morrissey und der Blues’, Transcript Verlag, 2012
Jones, William E.: ‘Gayhouse’, Septembre éditions, No. 4 2012
Simon, Vincent, editor: ‘Le Guide du Palais de Tokyo’, 2012
‘Viennale - Vienna International Film Festival’, 2012
Jones, William E.: ‘Working with Archives: William E. Jones’, Source, issue 70 2012

2011
Sallabedra, Megan: Fred Halsted‘s Experimental Porn L.A. Plays Itself: Even Dali Thought it was Freaky, LA Weekly, 16/12/2011
Michalska, Julia: ‘Expert eye: Tobias Ostrander’, The Art Newspaper Art Basel/Miami Beach, 03/12/2011
Cernuschi, Stefano: ‘Books: Halsted Plays Himself’, Mousse, 12/2011
Jones, William E.: ‘The Artists’ Artists: William E. Jones: Vern Blosum, 25 Minutes (Cardwell Jimmerson Contemporary Art, Los Angeles)’, Artforum, 12/2011
Karr, John: ‘Forbidden Acts’, KarrnalKnowledge.com, 16/11/2011
Nordeen, Bradford: ‘Hasted Playing Halsted’, Art in America online, 31/10/2011
Astrova, Aliina: William E. Jones‘s ‘Hasted Plays Himself‘, Kaleidoscope Blog, 09/10/2011
Kuo, Michelle & Meyer, Richard: ‘L.A. Stories: A Roundtable Discussion’, Artforum, 10/2011
‘Adventures to be Released at NY Book Fair’, StandardCulture.com, 27/09/2011
Biedeman, Sam: ‘Halsted Plays Himself by William E. Jones’, Bookforum.com, 26/09/2011
Jones, William E.: ‘5 Encounters with Curt McDowell’, Bomb Blog, 12/09/2011
Nagesh, Ashitha: ‘INTERVIEW: William E. Jones’, ZingMagazine.com, 08/2011
Lerner, Sharon: ‘Kadiview with William E. Jones’, Kadist.org, 08/2011
Schifferle, Hans: ‘Oberhausen I: Die Widerspenstigen’, epd Film, 06/2011
Teasdale, Paul: ‘57th Oberhausen Short Film Festival’, frieze online, 23/05/2011
Pugh, Adam: ‘Internationale Kurzfilmtage Oberhausen 2011’, LUX.org.uk, 19/05/2011
Schmitt, Peer: ‘Der Sport und das Blut’, Junge Welt, 14/05/2011
Schifferle, Hans: ‘Cinema Slam’, Süddeutsche Zeitung, 12/05/2011
Grissemann, Stefan: ‘Abfallprodukte der Liebe’, Frankfurter Allgemeine Zeitung, 05/05/2011
Willis, Holly: ‘Media Arts Preview’, kcet.org, 07/04/2011
‘Looking at Los Angeles: Killed Posterity’, SanArt.com, 10/03/2011
Balzer, David: Queer Cinema From the Collection: Bronson‘s Best, CanadianArt.ca, 10/03/2011
Kaltschmidt, Naoko: ‘All Male Mash Up’, Cargo, 03/2011
Friel, Patrick: ‘Layers of Erazure’, Afterimage, 03/2011
Nordeen, Bradford: ‘William E. Jones on Finished’, SlantMagazine.com, 22/02/2011
Nordeen, Bradford: ‘Finished Symphony’, Being-Boring.blogspot.com, 21/02/2011
‘William E. Jones’, re-title.com, 17/02/2011
Moshayedi, Aram: ‘500 Words: William E. Jones’, Artforum Online, 26/01/2011
Johnson, Grant: ‘Forum 65: Reanimation’, Art Papers, 01/2011
Jones, William E.: ‘Unconsummated’, This Long Century (online), 01/2011
Häcker, Sabine, Ingenhoven, Marita and Ruprecht, Susanne editors: ‘57th International Short Film Festival Oberhausen 2011’, 2011
Marques Penteado, Fernando and José Gatti, editors: ‘“Caça às Bruxas no Banheirão,” in Masculinidades: Teoria, Crítica e Artes’, 2011
Hoffmann, Jens, editor: ‘More American Photographs: CCA Wattis Institute for Contemporary Arts’, 2011
Tongson, Karen: ‘Relocations: Queer Suburban Imaginaries’, 2011
‘Roehr/Warhol/Rocco/Lynde.’, 2011
Beil, Ralf and Ehmann, Antje, editors: ‘Serious Games: War – Media – Art.’, 2011

2010
Carson, Matthew: ‘William E. Jones Interview’, icplibrary.wordpress.com, 20/12/2010
Meade, Fionn: ‘After Images’, Mousse, 12/2010
Cotter, Holland: ‘Punctured’, New York Times, 22/10/2010
‘William E. Jones’, New Yorker, 11/10/2010
‘William E. Jones: Punctured’, The Paris Review, 04/10/2010
Haeg, Fritz: ‘City Report: Los Angeles’, Frieze, 10/2010
Aletti, Vince: ‘Photo Books’, Photographmag.com, 09/2010
Tobias, Jennifer: ‘Selections from The Anatomy of Melancholy by Robert Burton’, caareviews.org, 21/07/2010
Möller, Olaf: ‘Double Trouble: Ethical Lapses in Potsdamer Platz’, Film Comment, 05/2010
Muller, Dominikus: ‘William E. Jones’, Artforum, 05/2010
Jones, William E.: ‘Life in Film’, Frieze, Issue 129 03/2010
Jones, William E.: ‘Profile: Fred Halsted’, Little Joe, no. 1 (Spring 2010) 03/2010
Sonenburg, Gisela: ‘Kunst-Videos zwischen Heute und Gestern’, Berliner Morgenpost, 24/02/2010
Halter, Ed: ‘Porn Yesterday’, Artforum Online, 23/02/2010
Anderson, Melissa: The Films of William E. Jones’ at Anthology, Village Voice, 23/02/2010
Ackermann, Tim: ‘Wie man mit Lyrik und Google grosse Kunst schafft’, Welt Online, 21/02/2010
Mexiner, Christiane: ‘New Yorker Experimente’, Tagesspiegel, 13/02/2010
von Döltzschen, Ulrich: ‘Neu: Veneklasen & Werner’, Die Welt, 02/02/2010
Cromer, Stuart: ‘Film: The Best Motion Pictures and Moving Images of 2009’, Frieze, 01/2010
Baron, Jaimie: ‘Translating the Document Across Time and Space: William E. Jones’ ‘Tearoom’’, Spectator: The University of Southern California Journal of Film & Television, 2010

2009
Chin, Daryl: Discussing a Decade: Critics Comment on the 2000‘s, indieWIRE, 28/12/2009
Holte, Michael Ned: ‘Best of 2009’, Artforum, 12/2009
Heinänen, Kaisa: ‘Neljä suomalaistaiteilijaa mukaan Venetsian biennaaliin’, Helsingin Sanomat, 18/03/2009
Coata, Chiara: ‘The Porn Identity’, Kaleidoscope, 03/2009
Fassi, Luigi: ‘Sexuality as a Utopian Promise’, Mousse, 02/2009
Eichler, Dominic: ‘How Will This Affect Me?’, Frieze, 01/2009
Lewis, David: ‘Section 7: Books’, Artforum Online, 01/2009
Jones, William E.: ‘A Capitalist Hallucination’, Bidoun, No. 19 2009
Jones, William E.: ‘an uneven dozen broken hearts’, 2nd floor projects, 2009
Schwärzler, Dietmar: ‘“More Than One Way to Watch a Movie!” Smell It!’, Kunsthalle Exnergasse, 2009
Horrigan, Bill: ‘Killed’, Wexner Center for the Arts, 2009
Supanick, Jim: Last Year at Mansfield: William E. Jones‘s Tearoom, Film International, 2009
Birnbaum, Daniel, and Jochen Volz, editors: ‘Making Worlds, vol 2: Participating Countries, Collateral Events’, La Biennale di Venezia, 2009
Thornton, Sarah: ‘Seven Days in the Art World’, 2009
Fassi, Luigi: ‘William E. Jones: Time and Documentary Effect’, SITE, Issue 28 2009

2008
Comer, Stuart: ‘Best of 2008’, Artforum, 12/2008
Hainly, Bruce: ‘The Necrophilic Strategy Entails Some Risk’, Bidoun, 12/2008
LeDuc, Aimee: ‘Book Reviews: Tearoom’, Camerawork, 11/2008
Augusto, Heitor: ‘Mix Brasil 2008’, CineClick.com, 11/2008
Lange, Christy: ‘In the Tearoom... Not Really What I Expected’, frieze online, 10/2008
Jones, William E.: ‘Halsted Plays Himself’, Artforum Online, 23/08/2008
Chang, Chris: ‘In Flagrante Delicto’, Film Comment, 07/2008
Taft, Catherine: ‘Figures’, Modern Painters, 06/2008
Columbus, Nikki: ‘Past Imperfect’, Artforum, 06/2008
Stamets, Bill: ‘Exploring Work, Play and Healing’, Chicago Sun-Times, 16/05/2008
Danto, Arthur C.: ‘Unlovable’, The Nation, 08/05/2008
Weist, Nicholas: ‘From Gulag to Gallery’, Out, 05/2008
‘William E. Jones: Dissecting Uncle Sam’, The Art Newspaper, 28/03/2008
Cotter, Holland: Art‘s Economic Indicator, New York Times, 07/03/2008
Gartenfeld, Alex: ‘All in the Family’, papermag.com, 04/03/2008
Wagley, Catherine: Beauty‘s Dark Side, ArtSlant, 02/03/2008
Feaster, Felicia: ‘Tea for Two’, Creative Loafing, 20/02/2008
Feaster, Felicia: ‘William E. Jones: The Secret History’, Creative Loafing, 20/02/2008
Lee, Ryan: ‘Jail Bait’, Southern Voice, 15/02/2008
Otto, Dean: ‘Artist of the Year’, City Pages (Twin Cities), 02/01/2008
Armstrong, Skot: ‘Bunkervision’, Artillery, 01/2008
Scott, Marcia: ‘What the Hell is That?’, Film Arts, 01/2008
Jones, William E.: ‘Fred Halsted: A Rather Late Yet Interesting Interview with a Dead Porno Artist’, Butt, Spring 2008 2008
Jones, William E.: ‘Halsted Plays Himself’, Animal Shelter, No. 1 2008
‘Selections from The Anatomy of Melancholy by Robert Burton’, 2008
Jones, William E.: ‘Tearoom Texts’, Area Sneaks, No. 1 2008

2007
O'Driscoll, Bill: ‘Tearoom’, Pittsburgh City Paper, 19/12/2007
Jones, William E.: ‘The Artists’ Artists’, Artforum, 12/2007
Azoury, Philippe: Hard contemporain: Festival du porno. Tout l‘underground en chaleur a Berlin, Liberation, 31/10/2007
Shamai, Jason: ‘Urinal Kinds of Trouble’, San Francisco Bay Guardian, 24/10/2007
Condon, Emily: In Good Standing: The Walker‘s Queer Takes Series Has Plenty of Substance, The Onion, 21/06/2007
Pride, Ray: ‘Films to See Now: v . o.’, Newcity, 15/02/2007
Goldberg, Max: Thursday: Experience ‘Alternative Visions’ at the PFA, sf360.com, 15/02/2007
Huston, Johnny Ray: ‘A Q&A about v . o.: Talking Tearooms, Movies, Morrissey and Melancholy with Filmmaker William E. Jones’, San Francisco Bay Guardian, 13/02/2007
Huston, Johnny Ray: Underground meets Underground: William E. Jones Uncovers Hidden Stories in Porn‘s Dark Edges, San Francisco Bay Guardian, 12/02/2007
Comer, Stuart: ‘Emerging Artists’, Frieze, 01/2007
Hainley, Bruce: ‘This Charming Man’, Artforum, 01/2007
‘BodyPolitcX.’, Witte de With Center for Contemporary Art, 2007

2006
Abele, Robert: ‘Screening Room: Repurposing as an Art Form’, Los Angeles Times, 07/12/2006
Willis, Holly: ‘New Video Work by William E. Jones’, LA Weekly, 06/12/2006
Kushner, Rachel: ‘On the Ground: Los Angeles’, Artforum, 12/2006
Ehrenstein, David: ‘The U.K. in L.A.’, LA Weekly, 24/11/2006
Ocean, Justin: Mix ‘n’ Match, Next Magazine, 11/2006
Zimmerman, Natalie: ‘out there where nothing is’, Camerawork, 11/2006
Krasinski, Jennifer: ‘William E. Jones’, Art US, 10/2006
Mookas, Ioannis: ‘Bright Cathodes, Big City’, Gay City News, 27/07/2006
Halter, Ed: ‘Scanners: The 2006 New York Video Festival’, Village Voice, 25/07/2006
Mookas, Ioannis: ‘Postcards from the Edge: Unorthodox Queer Milestone Revived at MoMA’, Gay City News, 22/06/2006
Anderson, Jason: ‘Strange Bedfellows’, Eye Weekly, 18/05/2006
Möller, Olaf: ‘The Maximal Minimalist’, Film Comment, 03/2006
Mookas, Ioannis: He‘s Got Everything Now, Gay City News, 23/02/2006

2005
Thomas, Kevin: ‘Screening Room’, Los Angeles Times, 10/11/2005
Nesselson, Lisa: ‘Is It Really So Strange?’, Variety.com, 08/11/2005
St. Denis, John: ‘Is It Really So Strange?’, The Daily Texan, 05/10/2005
Male, Andrew: ‘Sweet and Tender Hooligans’, Mojo, 05/2005
Aitch, Iain: ‘Mad about Morrisey’, The Guardian, 25/03/2005

2004
Holte, Michael Ned: ‘William Jones’, Artforum Online, 13/03/2004

2003
Athey, Ron: ‘Considerable People: William Jones, Charming Man’, LA Weekly, 28/11/2003
O'Driscoll, Bill: ‘Naked Obsession’, Pittsburgh City Paper, 10/04/2003

2001
Cotter, Holland: ‘Art in Review’, New York Times, 23/11/2001
Hainley, Bruce: ‘My Life in Pictures’, Frieze, 11/2001

2000
Camper, Fred: ‘Chicago Underground Film Festival: Nasty Girls and Dirty Boys’, Chicago Reader, 18/08/2000
Anderson, Steve: The Experimental Scene: L.A.‘s Media Renegades, The Independent, 03/04/2000
Dowling, Samantha: ‘Banned and Unseen’, Westside Observer, 04/02/2000

1999
Horton, Andrew James: ‘Kino Eye: Building a New Europe’, Central Europe Review, 24/05/1999
Faludi, Susan: ‘Stiffed: The Betrayal of the American Man.’, 1999

1998
Smith, Kensington: ‘Alternative Reviews: Finished’, Adult Video News, 10/1998
Jones, William E.: ‘Massillon’, Wide Angle, vol. 20, no. 3 07/1998
Malcolm, Paul: ‘Notes from a Video Store Burnout: Finished’, LA Weekly, 05/06/1998
Jones, William E.: ‘Finished: A Screenplay’, Performing Arts Journal, no. 59 05/1998
Burston, Paul: ‘Gay Film-Makers Switch from Boyz to Men’, Time Out London, 11/03/1998
Von Mueller, Eddie: Out Right: Image Hosts ‘Avant Queer’ Fest, Creative Loafing, 10/01/1998
Shepard, Joel: ‘Film Reviews: Finished’, Your Flesh, 01/1998

1997
Nutter, Chris: ‘Video Corner’, HX Magazine, 05/12/1997
Willis, Holly: ‘The Silent Treatment’, Filmmaker, 12/1997
Olson, Jenni: ‘Arts and Entertainment: New Queer Video on the Shelves’, Oasis Magazine, 11/1997
Thomas, Kevin: ‘Life, Death in Provocative Finished’, Los Angeles Times, 10/04/1997
Reynaud, Bérénice: ‘Independence Sundance’, Cahiers du Cinéma, 28/02/1997
Hardy, Ernest: ‘Finished’, LA Weekly, 14/02/1997
Cheshire, Godfrey: ‘Finished (documentary - 16mm)’, Variety, 10/02/1997
Holmlund, Chris and Cynthia Fuchs, editors: ‘“Irony and Dissembling: Queer Tactics for Experimental Documentary,” Between the Sheets, In the Streets: Queer, Lesbian, Gay Documentary.’, 1997

1993
Chua, Lawrence: ‘Unusually Moving Pictures’, Artforum, 05/1993

1992
Ball, Edwards: ‘Candid Cameras’, Village Voice, 29/12/1992
Olson, Jenni: ‘My Own Private Ohio’, The Advocate, 05/05/1992
Satuloff, Bob: ‘Amber Waves of Brain’, New York Native, 27/01/1992

1991
Thomas, Kevin: ‘Special Screenings: Massillon, Growing Up Gay in Ohio’, Los Angeles Times, 25/11/1991
Sheehan, Henry: ‘Mind Your Language: Gay and Lesbian Filmmakers Unpack Their Identity’, LA Weekly, 12/07/1991


PUBLICATION AS AUTHOR

2018
“A Season in Hell: William E. Jones on David Wojnarowicz’s ‘Close to the Knives: A Memoir of Disintegration’,” Artforum, Summer 2018, pp. 238-243.

2017
“The Lost Glamour of Historic Art Collector Alexander Iolas,” Document Journal, Issue No. 10, Spring/Summer 2017.

2016
True Homosexual Experiences: Boyd McDonald and “Straight to Hell”. (Los Angeles: We Heard You Like Books, 2016).
“2016: The Year According to William E. Jones,” Blogs.WalkerArt.org, December 22, 2016.

2015
“Introduction,” in McDonald, Boyd, Cruising the Movies: A Sexual Guide to Oldies on TV. (Los Angeles: Semiotext(e), 2015).
“The Streets Are My Cinema,” Little Joe, no. 5, November 2015, pp. 47-61.
“Boyd McDonald’s Eye for Innuendo,” GLReview.org, November 2, 2015.

2014
“The General Secretary Is Trapped in a Snow Globe,” Mousse, November 2014, pp. 188-190.
But our life depends on what’s real. (Los Angeles: Semiotext(e), 2014, published on the occasion of the 2014 Whitney Biennial).
“Vern Blosum: Kunsthalle Bern,” Artforum, May 2014, p. 199.
“Space Odyssey,” Artforum.com, May 20, 2014.
“Vern Blosum, Phantom,” The White Review, no. 10, Spring 2014.
Flesh and the Cosmos, essays by Jonathan Barnes, Richard Fletcher, and William E. Jones. (Los Angeles: David Kordansky Gallery, 2014).

2013
“Gilded Age,” zingmagazine, Issue 23, 2013, pp. 21, 172-182.
“William E. Jones on Polysexuality,” Office Notebook, cagrp.org, July 22, 2013.
Imitation of Christ. (London: MACK, 2013).
Between Artists: Thom Anderson / William E. Jones. (New York: Art Resources Transfer, Inc., 2013).

2012
William E. Jones: Inside the White Cube. Text by Jarett Kobek. (London: White Cube, 2013).
Gayhouse, issue 4. (Paris: Septembre éditions, 2012).
“Loads,” in The Little Joe Clubhouse Reader. (London: Little Joe, 2012), pp. 13-20.
“Puncture Wounds,” in Nothing is forgotten, some things considered. Edited by Shoghig Halajian and Suzy M. Halajian. (Oslo: Unge Kunstneres Samfund, 2012).
“Working with Archives: William E. Jones,” Source, issue 70, Spring 2012, pp. 38, 40.

2011
“The Artists’ Artists: William E. Jones: Vern Blosum”, 25 Minutes (Cardwell Jimmerson Contemporary Art, Los Angeles)
Artforum, December 2011, p. 106.
Roehr/Warhol/Rocco/Lynde. (Los Angeles: No Imprint, 2011).
“Caça às Bruxas no Banheirão,” in Masculinidades: Teoria, Crítica e Artes. Edited by Fernando Marques Penteado and José Gatti. (São Paulo: Estação das Letras e Cores, 2011) pp. 241-253.
“5 Encounters with Curt McDowell,” Bomblog, September 12, 2011.
Halsted Plays Himself. (Los Angeles: Semiotext(e), 2011).
“Berlin 1961,” Time Again. (New York: SculptureCenter, 2011) pp. 77-83.
“Unconsummated,” ThisLongCentury.com, January 2011.

2010
Killed: Rejected Images of the Farm Security Administration. (New York: PPP Editions, 2010).
“Massillon,” in The Traveling Book. (Ecatepec, Mexico: Fundación/Colección Jumex, 2010), pp. 296-305.
“Profile: Fred Halsted,” Little Joe, no. 1 (Spring 2010) pp. 42-53.
“Life in Film,” Frieze, issue 129 (March 2010) pp. 21-22.

2009
an uneven dozen broken hearts. (San Francisco: 2nd floor projects, 2009).
“A Capitalist Hallucination,” Bidoun, no. 19, pp. 34-37.
“Roehr/Warhol/Rocco/Lynde,” program notes for Elective Affinities, co-curated with Larry Johnson (Los Angeles: Hammer Museum, 2009).
After Dark. (limited edition publication for the 53rd Venice Biennale, 2009).
Heliogabalus. (Los Angeles: 2nd Cannons Publications, 2009).

2008
“Halsted Plays Himself,” Animal Shelter, issue 1, pp. 106-113.
Selections from The Anatomy of Melancholy by Robert Burton. (Los Angeles: 2nd Cannons Publications, 2008).
“Halsted Plays Himself,” Artforum.com, August 23, 2008.
“In Conversation with Morgan Fisher,” 2008 California Biennial. (Newport Beach: Orange County Museum of Art, 2008), p. 86.
“Tearoom Texts,” Area Sneaks, issue 1, 2008, pp. 114-131.
“Fred Halsted: A Rather Late Yet Interesting Interview with a Dead Porno Artist,”Butt, Spring 2008, pp. 24-28.
Tearoom. (Los Angeles: 2nd Cannons Publications, 2008).

2007
“The Artists’ Artists,” Artforum, December 2007, p. 123.

2006
Is It Really So Strange?. (Los Angeles: David Kordansky Gallery, 2006).

2005
“Bike Boy,” in Andy Warhol Filmmaker, edited by Astrid Johanna Ofner. (Vienna: Austrian Film Museum, 2005), pp. 72 -75.

1998
“Massillon,” Wide Angle, vol. 20, no. 3, July 1998, pp. 150-155.
“Finished: A Screenplay,” Performing Arts Journal, no. 59, May 1998, pp. 78-98.

1996
“My Hustler,” The Ultimate Guide to Lesbian and Gay Film and Video, edited by Jenni Olson. (London: Serpent’s Tail), 1996, pp. 167-69.