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Liptak, Nick, ed. The Sun Placed in the Abyss. Columbus: Columbus Museum of Art, 2016

Iles, Chrissie. T. J. Wilcox: In the Air. Berlin: Hatje Cantz, 2015
13e Biennale de Lyon. Dijon, France: Les presses du reel, 2015

Chaillou, Timothée. Only parts of us will ever touch parts of others. Paris/Salzburg: Galerie Thaddaeus Ropac, 2013. 

Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné. New York: The Museum of Modern Art, 2009.
Ryersson, Scot D. and Michael Orlando Yaccarino. The Marchesa Casati: Portraits of a Muse. New York: Abrams, 2009.

Smits, Lisette, Alexis Vaillant. Raw Among the Ruins. Rotterdam: Veenman Publishers, 2007.

T. J. Wilcox: Films. Zurich: JRP, Ringier, 2006.
Superstars: Von Warhol bis Madonna: Kunsthalle Wien & BA-CA Kunstforum. Ostfildern-Ruit: Hatje Cantz, 2006.

Holert, Tom, Heike Munder. The Future Has a Silver Lining: Geneologies of Glamour. Zurich: JRP, Ringier, 2005. 
Francesca Richer and Matthew Rosenzweig, “No. 1,” New York: D.A.P., 2005.
Hamilton, Elizabeth. The Blake Byrne Collection. Los Angeles: MOCA, 2005.

Thomas, Elizabeth. Matrix/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2002.
Grosenick, Uta and Burkhard Riemschneider. Art Now. Cologne: Taschen, 2002.
Rapture. London: Barbican Gallery, 2002.
Cattelan, Maurizio, Massimiliano Gioni and Ali Subotnick. Charley 02. Dijon: Les Presses du Réel, 2002

W. Dole: Musée des Beaux Arts de Dole, 2001.
The Americans - New Art. London: Barbican Art Gallery, 2001.

Wilcox, T. J. T. J. Wilcox: 18 September-1 November 1998 ICA Exhibitions. London: Institute of Contemporary Arts, 1998.
Dialogues. Sam Easterson and T. J. Wilcox (brochure), Minneapolis: Walker Art Center, 1998. 

Walker, Hamza. Persona (catalogue), Kunsthalle Basel, Switzerland; The Renaissance Society, The University of Chicago, Illinois. Basel: Schwabe, 1996. 


Smith, Roberta. “Starring New York City,” The New York Times, September 20, 2013, section C25, p. 28.
Peyton, Elizabeth. “T. J. Wilcox,” Interview, September 2013, p. 158-163, 339-340.
Bell, Kirsty. “Sunrise to Sunset,” Frieze, September 2013, p. 114-119.
Wilcox, T. J. “Careful Looking,” Art in America, September 2013, p. 60-61.
Vogel, Carol. “A Historic Immersion Before Whitney Moves.” The New York Times, May 17, 2013, sectionn C22.

Kley, Elisabeth. “Gotham Art & Theater,”, May 24, 2010.
Walleston, Aimee. “Women on the Verge of Technology,” Art in America, May 4, 2010.
Collier, Anne. “T. J. Wilcox,” Bomb, Spring 2010, p. 78-85.
MacSweeney, Eve. “Nostalgia: The Heir and Astaire,” Vogue, June 2010 p. 76-78.

Becker, Ilka. “The Image as Revenant: Retroactivity and Remediation in the Works of T. J. Wilcox. ” Texte zur Kunst, December 2009, p. 126-131.
Savorelli, Alice, “Americans in Milan,”, March 18, 2009.
“The Picture Atlas: Rereading (Reassembling) the World,” Exit, #35, p. 114-115, 118-119.
Schreiber, Daniel, “The Collector of Sad and Beautiful Stories: An Encounter with T. J. Wilcox in New York,”, September 2008.

T. J. Wilcox, “Best of 2007: Film,” Artforum, December 2007, p. 71.
Frankel, David, “T. J. Wilcox: Metro Pictures,” Artforum, November 2007, p. 364.
Wehr, Anne, “T. J. Wilcox,” Time Out New York, October 10, 2007, p. 79.
Rosenberg, Karen,  “Art in Review: T. J. Wilcox,” The New York Times, September 28, 2007. 

Quandt, James. "Films Best of 2005,” Artforum International, December, 2005, p. 57.
Bell, Kirsty. "T. J. Wilcox," Afterall, Issue 12, 2005, p. 37-44.
Funcke, Bettina. "T. J. Wilcox: From Dusk till Dawn," Afterall, 2005, p. 45-52.
Fels, Sophie. "Garlands," Time Out New York, February 10-16, 2005, p. 72.
Kerr, Merrily. "T. J. Wilcox – Metro Pictures," Flash Art, Milan, March/April 2005, p. 117.
Smith, Roberta. "Art in Review, T. J. Wilcox: 'Garlands,'" New York Times, February 11, 2005.
Rothkopf, Scott, "Personal Affects – T. J. Wilcox Curates," Artforum, April 2005, p. 164-171.
Burton, Johanna. "T. J. Wilcox – Metro Pictures," Artforum, April 2005, p. 188.
LaBelle, Charles. "T. J. Wilcox," Frieze, April 2005, p. 117.
Amy, Michael. "T. J. Wilcox at Metro Pictures," Art in America, October 2005, p. 180-181.

Gaines, Malik. "T. J. Wilcox at China Art Objects Galleries," ArtUS, January/February 2004.
Jana, Reena. "The Recovery of Memory," Tema Celeste, Milan, 2004, p. 54-59.
Siegel, Katy. “All Together Now, Crowd Scenes in Contemporary Art,” Artforum, January 2004, p. 166-171.

Herbert, Martin. "T. J. Wilcox at Sadie Coles HQ," Time Out London, June 18-25, 2003.
Williams, Eliza. "Reviews: T. J. Wilcox at Sadie Coles HQ," Tema Celeste, Milan, 2003, p. 92.

Cotter, Holland. "Cinema à la Warhol, With Cowboys, Stillness and Glamour," New York Times, April 5, 2002, p. E31.

Archer, Michael. "T. J. Wilcox- Sadie Coles HQ," Artforum, April 2001, p. 149-150.
Ruas, Charles. "T. J. Wilcox at Gavin Brown's Enterprise," Art in America, June 2001, p. 126-127.
Gavlak, Sarah. "A Queer Sensibility," Pride, 2001, p. 56.
Fox, Dan. "Straight to Video," Frieze London, October 2001, p. 68-71.
Kent, Sarah. "Altered States," Time Out London, December 28, 2001, p. 60.
Sharp, Amanda. "The Americans," Arena Homme, Autumn, 2001.

Holland Cotter. "T. J. Wilcox," New York Times, November 10, 2000, p. E37.

McFarland, Dale. "T. J. Wilcox-Institute of Contemporary Art, London," Frieze, January/February 1999, p. 81.
Herbert, Martin. "Review", Flash Art, Milan, October 1999, p. 117.
Rickels, Lawrence A. "The Loss Generation", Art/Text, 1999, p. 32-35.
Kent, Sarah. "Review", Time Out London, June 1999.
Dutt, Robin. "T. J. Wilcox: The Funeral of Marlene Dietrich," What's On, June 16, 1999, p. 24.

Kent, Sarah. "Review", Time Out London, October 21-28, 1998, p. 43.
Brooks, Amra. "A Conversation with T. J. Wilcox", Zingmagazine, Summer 1998, p. 88-95.
Arning, Bill. "Review", Art in America, April 1998, p. 116.

Updike, Robin. "Area Artist's images score a N.Y. coup", Seattle Times, May 25, 1997.
Writings by the Artist

"Gloria Vanderbilt," Interview, October 2014, p. 194.

"Cultural Tourism- The Carlyle Hotel,” Frieze, September 2001, p. 77.