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MONOGRAPHS

2015
Barbara Bloom, Susan Tallman. Gifts Ludion.

2013
Barbara Bloom. As it were... So to speak: A Museum Collection in Dialogue with Barbara Bloom. The Jewish Museum, New York .

2010
John Baldessari and Barbara Bloom. John Baldessari / Barbara Bloom: Between Artists. New York: A.R.T. Press.

2008
Barbara Bloom, Susan Tallman, and Dave Hickey. The Collections Of Barbara Bloom. Göttingen, New York: Steidl International Center of Photography.

2003
Barbara Bloom. Flash Cards. Chicago: The Renaissance Society at University of Chicago.

2002
Barbara Bloom and Douglas Repetto. Mood Ring Home. Software for Barbara Bloom House. Los Angeles: OpenOffice’s Trespassing Houses x Artists.

1999
Barbara Bloom. Revised Evidence: Vladimir Nabokov’s Inscriptions, Annotations, Corrections, and Butterfly Descriptions. New York: Glenn Horowitz Bookseller.
Barbara Bloom and Christian Marclay. Soundtrack to The French Diplomat’s Office. Peter Blum Edition. New York: BlumArts.

1998
Donna De Salvo and Barbara Bloom. The Collections of Barbara Bloom. Columbus: Wexner Center for the Arts.
Susan Tallman. Pictures From The Floating World. Bilbao: A.G.D. LIBROS.

1993
Barbara Bloom and Shelley Hirsch. The Passions Of Natasha, Nokiko, Nicole, Nanette And Norma. Stuttgart: Cantz Verlag.

1991
Barbara Bloom. Never Odd or Even. Munich: Verlag Silke Schreiber.

1990
Barbara Bloom. The Reign of Narcissism. Stuttgart:Wurtembergischer Kunstverein; London: The Serpentine Gallery; Zurich: Kunsthalle Zurich.

1988
Barbara Bloom. Ghost Writer. Berlin: Künstlerprogramm des DAAD.
Barbara Bloom. Esprit De L’escalier. Buffalo: Hallwalls.

1986
Martha Hawley and Barbara Bloom. A Calendar on Travel and Tourism. Amsterdarm: Mart.Spruijt.


EXHIBITION CATALOGS

2018
Salamé, Louma. Melancholia. Antwerp: Albe De Coker.
Jetzer, Gianni, Robert Nickas, and Leah Pires, Brand New: Art and Commodity in the 1980s, New York: Rizzoli Electa; Washington, DC: Hirshhorn Museum and Sculpture Garden

2017
Beshty, Walead, Picture Industry. JRP|Ringier, Zurich
Barbara Bloom, A Picture, A Thousand Words. New York: David Lewis

2016
Aubart, Francois, De toi à la surface / Surfaces of you, Frac île-de-france, Paris
Schor, Gabriele, open spaces / secret places – Works from the Sammlung Verbund, Vienna, BOZAR Books, Brussels
The Metropolitan Museum of Art, The Artist Project: What Artists See When They Look At Art, Phaidon, Press Ltd, London
Glauber, Alex, The Coveter, Digital City Marketing, New York
Beckman, Ericka, A. E. Benenson, Walter Benjamin, Frederic Brandt, and Vitalik Buterin, The St. Petersburg Paradox, Swiss Institute/Karma, New York
Cornell, Lauren and Tom Eccles, Invisible Adversaries, Center for Curatorial Studies, Bard College, Hessel Museum of Art

2015
Lo Pinto, Luca et. al., Individual Stories: Collecting as Portrait and Methodology, Sternberg Press, New York

2014
Constantini, Marco et al. Nirvana: Les étranges formes du plaisir. Lausanne: mudac/Infolio
Kreuzer, Stefanie. Propaganda für die Wirklichkeit / Propaganda for Reality. Leverkusen: Kettler
Artières, Philippe et al. La disparation des lucioles (The disappearence of the fireflies), Arles: Actes Sud
Marta, Karen et al. The St. Petersburg Paradox. New York: Swiss Institute / Karma
Chambers, Cathy et al. Binding Desire: Unfolding Artists Books. Los Angeles: Ben Maltz Gallery / Otis College of Art and Design

2011
Princenthal, Nancy et al. The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991. New York: Prestel.
Didi-Huberman, Georges. Atlas: How to Carry the World on One’s Back?, Madrid: TF Editores/Museo Nacional Centro de Arte Reina Sofia

2009
The Bureau. Un Plan Simple. Paris: Editions B42 / Popular House.
Eklund, Douglas. The Pictures Generation, 1974-1984. New York: Museum of Modern Art. Blunck, Lars et al. Who killed the Painting? Werke aus der Sammlung Block. Nuremberg: Neues Museum.
Bloemink, Barbara J. Dress Codes: Clothing As Metaphor. Katonah: Katonah Museum of Art.
Ribas, João et al. FAX. New York: The Drawing Center / Independent Curators International

2008
Fotomuseum Winterthur. Jedermann Collection. Zurich: Fotomuseum Winterthur

2006
Vergine, Lea. D’Ombra. Milan: Cinisello Balsamo

2004
Thompson, Paul Warwick. Design ≠ Art: Functional Objects from Judd to Whiteread. New York: Merrell Publishers
Lopez, Sebastian. A Short History of Dutch Video Art. Amsterdam: Jap Sam Books
Bloom, Barbara et al. Trespassing: Houses X Artists. Berlin: Hatje Cantz Publishers
Bal, Mieke. Videodreams – Between the Cinematic and the Theatrical. Graz: Kunsthaus Graz

2003
Honnef, Klaus et al. A Clear Vision. Hamburg: Hatje / Cantz

2002
Roeder, Sabine et al. Sand in der Vaseline. Kuenstlerbuecher II. 1980-2002. Krefeld: Walther König

2000
Hubertus Gaenner. Dinge in Der Kunst des XX. Jahrhunderts. Göttingen: Gerhard Steidl GmbH & Co.

1999
Kynaston McShine. The Museum As Muse: Artists Reflect. New York: Museum of Modern Art Distributed by H.N. Abrams.

1996
Michael Danoff. Contemplation : Five Installations : Barbara Bloom, Ann Hamilton With Kathryn Clark, Nam June Paik, Robert Ryman, James Turrell. Des Moines: Des Moines Art Center.
Ronald Ehmke and Elizabeth Licata. Consider The Alternatives : 20 Years Of Contemporary Art At Hallwalls. Buffalo: Hallwalls Contemporary Art Center.

1995
Bruce W. Ferguson. Longing And Belonging : From The Faraway Nearby : Site Santa Fe, July 14 To October 8, 1995, Santa Fe, New Mexico. Santa Fe New York: SITE Santa Fe Available through Distributed Art Publishers.

1992
Clark, Vicky. “Barbara Bloom: Never Odd or Even, 1992.” Carnegie Museum of Art.

1991
Jan Brand, Nicolette Gast, and Robert Müller. The Words And The Images: Text And Image In The Art Of The Twentieth Century / De Woorden En De Beelden: Tekst En Beeld In De Kunst Van De Twintigste Eeuw. Utrecht: Centraal Museum.

1990
Dan Cameron. El Jardín salvaje. Madrid: Fundación Caja de Pensiones.
Suzanne Landau. Life-Size : A Sense Of The Real In Recent Art. Jerusalem: Israel Museum.
The Indomitable Spirit. New York: ICP, NY and Photographers Friends United Against AIDS.
The Readymade Boomerang: 8th Biennale of Sydney. Sydney: Art Gallery of New S. Wales.
Barry A Rosenberg. Assembled. Dayton: Wright State University.
Giovanni Anselamo, et al. Die Endlichkeit Der Freiheit Berlin 1990 : Ein Ausstellungsprojekt In Ost Und West. Berlin: Edition Hentrich.

1987
Steve Gallagher. Picture This: Films Chosen By Artists. Buffalo: Hallwalls Contemporary Arts Center.
Saskia Bos. Lost and Found. Gemmente Museum Arnhem, Arnhem, The Netherlands

 

SELECTED BIBLIOGRAPHY AND PRESS

2018
Lee, Ahnna. “The Best of Frieze New York.” Sotheby’s, May 7.
Roffino, Sarah. “The 8 Best Booths to See at Frieze New York.” Cultured, May.
“Preview: ‘Her Refusal of Easy Answers Is Now Very Resonant.’” Frieze, April 24.
Kaliman, Vasili. “Frieze New York 2018 preview: an insider’s guide.” Wallpaper, April 23.
Miller, M.H. “The Artists Who Defined the East Village’s Avant-Garde Scene.” T: The New York Times Style Magazine, April 22.
Carrigan, Margaret. “The 1980s: When the Line Between Art and Branding Blurred.” Observer, February 8.
Stapley-Brown, Victoria. “Cleveland’s Front International triennial teams up with local museums for new commissions.” The Art Newspaper, January 30.
“Barbara Bloom on Hans Dieter Schaal and 2001: A Space Odyssey.” Mousse Magazine 61, December 2017 - January.

2017
Cristello, Stephanie. “Seeing Songs: Barbara Bloom // Musical Scores.” The Seen, September.
Churner, Rachel. “Barbara Bloom.” Artforum, September.
Greenberger, Alex. “Beg, Borrow, Steal: With Several Exhibitions Involving Appropriation, New York Has a Second ‘Pictures’ Moment.” ArtNews, August 21.
“Barbara Bloom.” The New Yorker, June 1.
“Barbara Bloom at David Lewis Gallery, NY.” BLOUIN ARTINFO, May 2017.
“10 Art Events to Attend in New York City This Week.” ArtNews, May 1.
Dolfi Agostini, Sara. “Le scoperte di INdependent e Adaa a New York.” Il Sole 24 Ore, March 5.
Dafoe, Taylor. “Best Booths from Independent New York 2017.” BLOUIN ARTINFO, March 4.
Duray, Dan. “Independent fair delivers on diversity and quality with early sales.” The Art Newspaper, March 3.
Voien, Guelda. “Is Independent the Best Art Fair in New York.” Observer, March 3.
Farago, Jason and Martha Schwendener. “What to See at New York’s Art Fairs This Week.” The New York Times, March 2.
Pasori, Cedar. “10 Picks from Independent New York 2017.” Interview, March 2.
Eckardt, Stephanie. “The Women Artists Taking Over Armory Week 2017.” W Magazine, March 1.
Lambert, Audra. “Independent New York 2017: Kitchen Sinks Welcome.” Arcade Project, March.
Duron, Maximiliano. “Preview Independent New York 2017.” ArtNews, February 28.
Speed, Mitch. “The Atmospheric Pressure in ‘Reading’ Barbara Bloom.” Momus, January 6.

2016
Greenberger, Alex. “David Lewis Gallery Now Represents Barbara Bloom.” ArtNews, November 21.
Casavecchia, Barbara. “Barbara Bloom.” Frieze, July 1.

2015
Schwab, Tony. “New exhibitions at MoMA worth visiting.” Washington Square News, December 3.

2014
“Vague ‘Nouvelle Vauge’.” All that glitters is not gold.org, June 22.
“Artsdesk Roundup: Barbara Bloom, Eva Rothschild, Rha.” Totally Dublin, May 15.

2013
O’Neill-Butler, Lauren. “Barbara Bloom: The Jewish Museum.” Artforum, October.
Moy, Liz. “Barbara Bloom at The Jewish Museum.” Performa Magazine.
Pollack, Maika. “‘As It Were..So to Speak: A Museum Collection in Dialogue With Barbara Bloom; at the Jewish Museum.” Gallerist NY, April 23.
“As It Were...So to Speak: A Museum Collection in Dialogue with Barbara Bloom.” The New Yorker.
Rosenberg, Karen. “She Makes Objects Speak, and They Won’t Stop Arguing.” The New York Times, March 21.
Lasky, Julie. “Speak, Memory, Kvetch.” The New York Times, March 13.
Kozinn, Allan. “A Museum Broadens Its Identity.” The New York Times, February 12.

2012
Miller, Michael H. “Freud’s Cigar Box Goes on View at the Jewish Museum.” Gallerist NY.
“‘Glasstress New York: New Art from the Venice Biennales’ Presents The Spirit Of A
Challenging New Medium.” Huffpost Arts & Culture, February 28.

2011
Nancy Princenthal, Tom McDonough and Helaine Posner. The Deconstructive Impulse : Women Artists Reconfigure The Signs Of Power, 1973-1991. New York: DelMonico Books/Prestel.
Tallman, Susan. “Artist Project: Barbara Bloom.” Frieze, April.

2010
“The Presence of Presents.” DERZEIT / Fashion Week Berlin Daily, July 8.
Barliant, Claire. “Barbara Bloom, ‘Present’.” Time Out NY.
“Barbara Bloom.” The New Yorker, June 7.
Russeth, Andrew. “Barbara Bloom.” ArtInfo, June 3.
Gartenfeld, Alex. “Maintaining the Artist’s Presents.” Art in America, May 27.
Yablonsky, Linda. “Rush Week.” Artforum, May 11.
“EVR DJ Oskar Mann hosts NYC art party, Saturday evening, May 8.” East Village Radio, May 8.
Smith, Roberta. “Galleries Being Galleries, but More So.” The New York Times, May 6.
Sharp, Chris. “Mise en Scène.” Art Review, March.

2009
Cotter, Holland. “At the Met, Baby Boomers Leap Onstage.” The New York Times, April 23.
Yablonsky, Linda. “Photo Play: The Social Life of the Pictures Generation.” Art in America, April 3.
von Schoening, Antonia. “‘The Collections of Barbara Bloom’, Martin Gropius Bau Museum, Berlin.” Afterall, January 22.

2008
Cook, Lynne. “The Collections of Barbara Bloom (Steidl/ICP).” Artforum, December.
Princenthal, Nancy. “Personal Effects: A chronologically scrambled exhibition of Barbara Bloom’s work evokes an estate auction -- and an identity whose elusiveness only increases with exposure.” Art in America, November.
Marcus, J.S. “Installing an Identity.” The Wall Stree Journal, October 31.
Jones, Kristin. “Review: The Collections of Barbara Bloom, International Center of Photography, New York, USA.” Frieze, May.
Wilton, Kris. “Curator’s Voice: Barbara Bloom on Barbara Bloom.” ArtInfo, March 27.
Colman, David. “POSSESSED: Softly Treading Between Taste and Art.” The New York Times, March 16.
“International Center of Photography.” The New Yorker, March 10.
Johnson, Ken. “A Portrait of the Artist, in Bits and Pieces.” The New York Times, February 8.

2007
Smith, Roberta. “Barbara Bloom ‘Takes One to Know One’.” The New York Times.
Leffingwell, Edward. “Barbara Bloom at Tracy Williams.” Art in America.
Burton, Johanna. “Barbara Bloom.” Artforum, September.
Mack, Joshua. “Barbara Bloom ‘Takes One to Know One.” Time Out NY.
Orden, Abraham. “The Minute.” Artnet, June 7.
Baker, R.C. “Between Vermeer and the Lightning Rod.” The Village Voice, May.

2002
Michael Archer. Art since 1960. New York: Thames & Hudson.

2001
Johnson, Ken. “Barbara Bloom ‘Broken’.” The New York Times, May.
Yablonsky, Linda. “ART/ARCHITECTURE; A Glimpse Through the Walls of Privacy.” The New York Times, May 6.

2000
Nagy, Peter. “Art Review: Barbara Bloom, The Gaze.” Time Out NY.

1999
Glueck, Grace. “Barbara Bloom - ‘The French Diplomat’s Office’.” The New York Times.
Smith, Roberta. “ART REVIEW; Art Rediscovers a Home on the Upper East Side.” The New York Times, April 30.

1998
Frances Borzello. Seeing Ourselves : Women’s Self-Portraits. London: Thames & Hudson.

1996
Smith, Kiki. “Barbara Bloom.” BOMB Magazine.

1995
Kandel, Susan. “Bloom’s ‘Floating World’ of Fluid, Intrusive Detail.” The Los Angeles Times, December 14.
McKenna, Kristine. “Footbridge to a New Dimension: Barbara Bloom’s installation ‘Pictures From the Floating World’ plies a seductive path.” The Los Angeles Times, December 10.
Cotter, Holland. “Barbara Bloom - ‘Pictures from the Floating World’.” The New York Times, June 30.
Tallman, Susan. “Private and public - Barbara Bloom’s latest installation of art.” Art in America, September.

1993
Peter Noever. MAK : Austrian Museum of Applied Arts Vienna. Munich: Prestel.
Halle, Howard. “Barbara Bloom: A Collection.” Grand Street.

1991
Gabriella Belli and Jerry Saltz. American Art Of The 80’S. Milano: Electa.

1989
1989 Awards In Painting, Sculpture, Printmaking, And Craft Media. New York, NY: The Louis Comfort Tiffany Foundation.
Simon Watney. Departures : Photography 1924-1989. New York: Hirschl & Adler Modern.

1988
Tallman, Susan. “Esprit de L’Escalier: Prints by Barbara Bloom.” Arts Magazine, May.