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roni horn

biography

Roni Horn was born in 1955 New York. She lives and works in New York.

Horn's oeuvre, which spans almost four decades, explores the mutable nature of art through sculptures, works on paper, photography, and books. Horn’s drawings concentrate on the materiality of the objects depicted. She also uses words as the basis for drawings and other works. Horn crafts complex relationships between the viewer and her work by installing a single piece on opposing walls, in adjoining rooms, or throughout a series of buildings. She subverts the notion of ‘identical experience’, insisting that one’s sense of self is marked by a place in the here-and-there, and by time in the now-and-then. Horn’s work also embodies the cyclical relationship between humankind and nature—a mirror-like relationship in which we attempt to remake nature in our own image. For the past 30 years, the work of Roni Horn has been intimately involved with the singular geography, geology, climate and culture of Iceland.

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Roni Horn was born in 1955 New York. She lives and works in New York.

Horn's oeuvre, which spans almost four decades, explores the mutable nature of art through sculptures, works on paper, photography, and books. Horn’s drawings concentrate on the materiality of the objects depicted. She also uses words as the basis for drawings and other works. Horn crafts complex relationships between the viewer and her work by installing a single piece on opposing walls, in adjoining rooms, or throughout a series of buildings. She subverts the notion of ‘identical experience’, insisting that one’s sense of self is marked by a place in the here-and-there, and by time in the now-and-then. Horn’s work also embodies the cyclical relationship between humankind and nature—a mirror-like relationship in which we attempt to remake nature in our own image. For the past 30 years, the work of Roni Horn has been intimately involved with the singular geography, geology, climate and culture of Iceland.

Horn has had one-person exhibitions at the Drawing Institute at the Menil Collection (2019); the Nasher Sculpture Center, Dallas (2017); Glenstone, Potomac (2017); Fondation Beyeler, Riehen/Basel, Switzerland (2016); the Fundacio Joan Miro, Barcelona (2014); the FLAG Art Foundation, New York (2011); the Center of Contemporary Art Ujazdowski Castle, Warsaw (2010); Whitney Museum of American Art (2009); Tate Modern, London and Collection Lambert, Avignon (2008); Museion, Bolzano (2005), Art Institute of Chicago (2004); Centre Georges Pompidou, Paris (2003); Dia Center for the Arts, New York, and Museu Serralves, Porto (2001); Whitney Museum of American Art, New York; Kunsthalle Basel (1995); Rencontres d'Arle s festival, France (2009) and Tate Modern, London (2009). Group exhibitions include the Whitney Biennial (1991, 2004); Documenta (1992); and Venice Biennale (1997), among others.

In 2004 she was a visiting critic at Columbia University. In November 2009, the Whitney Museum of American Art opened a survey show of Horn’s work. Titled "Roni Horn aka Roni Horn", the show travelled to the Institute of Contemporary Art in Boston (2010), the Tate Modern, London (25 February - 25 May 2009), and the Collection Lambert in Avignon (21 June - 4 October 2009).

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images

Untitled, No. 16, 2018

Pigment prints

55,88 × 55,88 cm; 60,96 × 60,96 × 3.96 cm framed each

Dead Owl, v. 3, 2014-15

Ink jet on 100% rag paper

57,15 × 57,15 cm each

Hack Wit

Hack Wit—armed bud, 2014

Watercolor, pen and ink, gum arabic on watercolor paper

55,88 x 39,37 cm

Hack Wit—iceberg in bud, 2014

Watercolor, gouache, pen and ink, gum arabic on watercolor paper

55,88 x 38,1 cm

Hack Wit—shadow skin, 2014

Watercolor, pen and ink, gum arabic on watercolor paper, cellophane tape

57,15 x 38,73 cm

Remembered Words

Remembered Words—(Gnome), 2012-2013

Gouache, watercolor, graphite, Japan color, and gum arabic on paper

38,1 x 27,9 cm

Remembered Words—(Yep), 2012-13

Gouache, watercolor, graphite, Japan color, and gum arabic on paper

38,1 × 27,94 cm

Remembered Words—(Scope), 2012-13

Gouache, watercolor, graphite, Japan color, and gum arabic on paper

38,1 × 27,94 cm

White Dickinson THE STARS ARE NOT HEREDITARY, 2006-07

Solid aluminum and cast white plastic

142,55 × 5,08 × 5,08 cm

White Dickinson NIGHT COMES BY EVENT—, 2006-07

Solid aluminum and cast white plastic

108,58 × 5,08 × 5,08 cm

Key and Cue, No. 1584, 1994/2007

Solid aluminum and cast black plastic

128,27 × 5,08 × 5,08 cm

Water Teller, No.2, 2011-2014

Digital-to-negative print on Fujiflex

74,93 × 49,53 cm

Water Teller, No.3, 2011-2014

Digital-to-negative print on Fujiflex

74,93 × 49,53 cm

Water Teller, No.4, 2011-2014

Digital-to-negative print on Fujiflex

74,93 × 49,53 cm

Untitled (Weather), 2010/2011

Inkjet / pigment print on paper: 5 B/W Prints, mounted on sintra

31,11 × 26,03 cm (each)

Untitled (Weather), 2010-2011

Inkjet / pigment print on paper: 6 color prints, mounted on sintra

31,11 x 26,03 cm

Isabelle and Marie, 2005

2 standard C prints on Fuji Crystal Archive mounted on 1/8” sintra

46,99 × 39,34 cm; 48,4 × 40,2 × 2,5 cm framed each

This is Me, This is You, 1998-2000

12 framed c-prints

31,75 x 26,03 cm each

Universal Rorschach, 1997

Photogravure on paper

68,58 × 55,24 cm

Agua Viva

Agua Viva: And when the..., 2004

Silkscreen on Sanuders hot press W/C 410 gr.

129,5 × 129,5 cm

Agua Viva : The tiniest piece..., 2004

Silkscreen on Sanuders hot press W/C 410 gr

129,5 x 129,5 cm

Doubt by Water (What), 2003-04

2 pigmented photo, 6 two-sided units, 6 aluminium stanchions

42 × 56 cm

Next 5, 2004

Yellow-green pigments on paper with varnish

50,8 × 66,04 cm

And V, 1985

Green pigment and varnish on paper

105,3 × 125,7 cm

public exhibitions

La Galleria Nazionale d'Arte Moderna e Contemporanea

Rome

Joint is Out of Time

22.1 – 3.11.2019

Photo: Serge Domingie Courtesy: Galleria Nazionale d'Arte moderna, Roma

La Galleria Nazionale d'Arte Moderna e Contemporanea

Rome

Joint is Out of Time

22.1 – 3.11.2019

Photo: Serge Domingie Courtesy: Galleria Nazionale d'Arte moderna, Roma

La Galleria Nazionale d'Arte Moderna e Contemporanea

Rome

Joint is Out of Time

22.1 – 3.11.2019

Photo: Serge Domingie Courtesy: Galleria Nazionale d'Arte moderna, Roma

Hayward Gallery

London

Shape Shifters

6.9.2018 – 6.1.2019

Photo: Mark Blower

Pera Museum

Istanbul

Look At Me! Portraits and Other Fictions from the "la Caixa – Contemporary Art Collection

7.12.2017 – 11.3.2018

Glenstone

Potomac, Maryland

Roni Horn

1.3.2017 – 1.1.2018

Glenstone

Potomac, Maryland

Roni Horn

1.3.2017 – 1.1.2018

Glenstone

Potomac, Maryland

Roni Horn

1.3.2017 – 1.1.2018

Glenstone

Potomac, Maryland

Roni Horn

1.3.2017 – 1.1.2018

Fondation Beyeler

Basel

Roni Horn

1.10.2016 – 1.1.2017

Fondation Beyeler

Basel

Roni Horn

1.10.2016 – 1.1.2017

Castello di Rivoli

Rivoli-Torino

Roni Horn

21.4 – 21.6.2000

Photo: Paolo Pellion

Castello di Rivoli

Rivoli-Torino

Roni Horn

21.4 – 21.6.2000

Photo: Paolo Pellion

press

From One Reading to Another: What Has Emily Dickinson Made Me Experience...

Marjorie Micucci

The Emily Dickinson International Society

May-June 2016

Miroslaw Balka and Roni Horn

Simone Menegoi

Artforum

January 17, 2013

Roni Horn

Raffaella Cortese

Paola Noè

Flash Art

November-Dicember 2003

Weather Girls

Frieze

January 2, 1997

publications

Dogs' Chorus

Roni Horn

Steidl

Germany

2019

Roni Horn: When I Breathe, I Draw

Michelle White

The Menil Collection

Houston

2019

The Rose Prblm

Roni Horn

Steidl Verlag

Göttingen

2017

Selected Gift

Roni Horn

Steidl

Germany

2016

Hack Wit

Roni Horn

Steidl

Germany

2015

Roni Horn: 153 Drawings

Edited by Michaela Unterdörfer. Text by Tacita Dean, Briony Fer

JRP Editions

Geneva

2013

Roni Horn

Edited by Ingvild Goetz, Larissa Michelberger, Rainald Schumacher

Hatje Cantz

Berlin

2012

Roni Horn aka Roni Horn

Text by Briony Fer

Steidl Verlag

Göttingen

2009

Making being here enough – Installations from 1980 to 1995

Texts by Roni Horn and Thomas Kellein

Kunsthalle Basel

Basel

1995