
Galleria Raffaella Cortese concept for Miart 2024 embodies a minimalist yet distinctive approach, allowing ample space for the material poetics of Francesco Arena’s work Altalena, 2022 to breathe and enchant.
The interior of our booth features the highlighted work, underscoring its interdisciplinary nature and inviting visitors to engage with it, thereby becoming an essential component of the exhibition’s concept.
However, the exhibition experience extends beyond the confines of the inner booth. The metaphysical yet profoundly tangible discourse that characterizes Arena’s comprehensive research continues with Maniglia, 2023 balancing between interior and exterior and with Bandiera, 2007 that will turn outside of our hypothetical perimeter further enriching the overall exhibition narrative.
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